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Maximilien Marton Public Feed

Day of Silence is Friday!

Posted by Maximilien Marton on Thursday, April 18, 2013 at 10:47 am
DOS 2013 Sticker
DOS 2013 Sticker

Join SLA GSA in silence for LGBT Rights.

The Day of Silence is a silent protest that aims to raise awareness of the unfair treatment and prejudice that effects members of the LGBT community. Students take a stand against homophobia by staying silent throughout the school day.

For more information, click here to visit The Day of Silence homepage. We encourage you to sign up on the website as well as checking in with SLA GSA Friday morning (info below).

If you would like to participate in SLA's Day of Silence, We will be having a check in on Friday morning before class (7:50AM-8:10PM) right in front of the office. You will receive a a ticket for the event.

Tags: Homepage
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10% Project: Genetic Manipulation

Posted by Maximilien Marton in Physics - Echols on Monday, June 11, 2012 at 7:39 am
For my 10% project, I read Aldous Huxley's Brave New World. After reading the book, I was curious about genetic manipulation and the idea of genetic hierarchy, so I decided to write a reflective study based on those topics.

Click Here for the study.

Click Here for the Keynote presentation I made about genetic manipulation.
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Quarter Three Work

Posted by Maximilien Marton in Advanced Art - Hull on Friday, April 13, 2012 at 10:30 am
​TEACHER ACTION GROUP LOGO

This quarter, I focused mostly on logo design. For the most part, designing a logo for Philadelphia's Teacher Action Group took up my time and energy. I started this project by following the concept that was given to me by the group. This consisted of the name of the group in bold font, Philadelphia is thin lettering underneath, colored backing, and sunburst rays shooting out of the text. I came up with the following design and several variations just in case:
TAG BASE DESIGN
TAG BASE DESIGN
​Eventually, I edited the design until I came up with this somewhat-final design:


Teacher Action Group Final
Teacher Action Group Final
Accompanying the design(s) I created based on The Teacher Action Group's guidelines, I designed two logos that I was inspired to create for the organization. I drew my inspiration from protest, considering that The Teacher Action Group is all about fighting for teacher rights and making sure that teachers' needs are met, and that they get the resources they require. My design is focused on the exclamation mark, which is easily the most renown symbol of reaction and energy, which are essential emotions for protest. 
I started by incorporating the name (Teacher Action Group) into the longer component of an exclamation mark, and then I added a smaller exclamation mark into the smaller component of the larger exclamation mark. After some editing, I didn't like the smaller exclamation mark in the larger exclamation mark, because it seemed a little too repetitive. I came up with the concept of illustrating the Philadelphia skyline into the smaller component of the exclamation mark. After playing around with that idea, I found a final design I felt content with.
​ Below are the final two designs that I came up with based on the exclamation mark concept. I created two logos instead of just one, because they both serve different purposes. The horizontal logo is geared more so towards branding on websites and banners, whereas the vertical design is geared towards apparel such as t-shirts.
TAG Philly Horizontal
TAG Philly Horizontal
TAG Philly Vertical
TAG Philly Vertical
​ Here is a picture of a t-shirt model that I photoshopped the vertical exclamation mark logo onto. I believe the design would be quite eye-catching, just enough so to intrigue people without being obnoxiously attention seeking.
Model TAG Vertical Philly
Model TAG Vertical Philly
Notes: 
  • I created these designs using Adobe Illustrator and Adobe Photoshop.
  • The project is not completely finished just yet.
​





MS. RAMI'S LOGO


A couple weeks ago, I began to design a logo for a blog Ms. Rami will be using. I started by playing around with the lettering of her name, and came up with several concept sketches which are shown below:
Sketch1
Sketch1
photo copy
photo copy
​After I sketched the concepts shown above, I started translating them to Adobe Illustrator and I came up with these two rough designs so far:
mramilogo2
mramilogo2
mramilogo1
mramilogo1
I really liked the concept of combining her initials to create a symbol. The two designs above will just be the beginning of this concept.
​Obviously, this project is ongoing, and will take a considerable amount of time to complete. Along with designing the branding of Ms. Rami's website, I will also be designing the layout of the site. I am really excited to be designing for Ms. Rami, and I can't wait to really start exploring more aspects of graphic design through application and self-learning.
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Exxon Valdez Oil Spill Info Graphic Reflection

Posted by Maximilien Marton in American History - Laufenberg on Monday, March 26, 2012 at 1:42 pm

1. What went well?

Our group was fairly successful at the research portion of the project. We were also respectful of each others opinions and abilities.

2. What did not?

Our time management wasn't as wonderful as it could of been. Communication wasn't that solid either. I can't help but think that our final product would have been better if we were stronger in these areas.

3. What would you do differently next time?

I would have spent less time looking for appropriate vectors, and more time on the actual design of the info graphic.

4. Specifically comment on the 10 tips for info graphics:

Be Concise

The orientation of certain elements in our graphic could have been formatted better.

Be Visual

We searched diligently for usable vectors for the graphic.

Be Smarter

We could have found facts not typically known on the spill.

Be Transparent

We were fairly straight to point.

Be Different

Our graphic is eye-catching with the depiction of a large drop of oil.

Be Accurate

We only used credible sources for the information presented in the info graphic.

Be Attractive

The color scheme is consistent. Nothing seems to be an eye sore.

Be Varied

    We could have included contrasting elements in the info graphic.

Be Gracious

    We could have been more sentimental in the feel of the graphic.

Be Creative

I thought using an oil drop as the main container for the information was creative.


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Q2 Work

Posted by Maximilien Marton in Advanced Art - Hull on Wednesday, February 1, 2012 at 7:49 pm
Here is my work for this quarter. Some of these may go into my portfolio. Not all are posted, just the ones that best represent each project.
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Screen Shot 2012-02-01 at 8.40.44 PM
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Fashion in the 1920's

Posted by Maximilien Marton in English 3 - Rami on Friday, January 20, 2012 at 3:40 pm
1920's Fashion Poster
​By Maximilien Marton and Samuel Lovett-Perkins
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PSA de Maximilien Marton, Breeanna Noi, Morgan Marrant, y Jakobi Martin-Howard

Posted by Maximilien Marton in Spanish 3 - Gierke on Friday, January 20, 2012 at 6:13 am
Spanish_PSA_Q2_BMark_Large
5 Comments

Cover Up

Posted by Maximilien Marton in English 3 - Rami on Friday, January 13, 2012 at 12:54 pm
“So, are we in accordance?”

Chief Inquisitorial Detective Marrows stood before a line of firemen, all solemnly standing with their arms folded in a way that could easily insinuate anger, distrust, or protest.

“Lieutenant Michaels, I require an answer, “ Detective Marrows stated impatiently. “Now.”

A rather gruff man stepped forward and uneasily glanced around the firehouse for a moment, his pupils constricted as he saw the police squad standing just outside.

“I’m afraid I can’t make that decision without a captain present,” he responded nervously.

“Well, Unfortunately, your captain is dead,” Marrows sneered. “but you already knew that, didn’t you?”

The whole team of firemen shifted posture as the obvious tension in the room rose to the tipping point.

“I don’t appreciate your tone,” Michaels responded. “Chief Detective.”

“Frankly, that doesn’t matter to me.” Marrows stated bluntly. “What matters to me, is the assurance that your squad will report the fire that burned down the CAGT building as an accident.”

“But there is obvious evidence that the fire was ignited by an arsonist,” Michaels said. “you wouldn’t need to be an expert to see that.”

Lieutenant Michaels looked at Detective Marrows with an apprehensive stare. They both knew it wasn’t an accident that a whole team of prominent CAGT protesters perished in the fire. A whole team including the Lieutenant’s mentor, Captain Nichols.

“I don’t care if God himself came down and told the whole city that the fire wasn’t an accident,” Marrows stated impatiently. “it is required that your team reports the fire as such. This is a matter of national security.”

Michaels sneered. “So, protecting national security to you is murdering civilians in order to keep your party members in office?”

The firemen standing behind the lieutenant exchanged glances of discomfort.

Marrows Paused before answering.

“I suggest you watch your tongue, Michaels.” he said. “I would hate to have to dispatch a team of Collectors to retrieve you and your family for processing”

The Chief Detective’s threat resonated throughout the whole firehouse. The line of firemen shifted angrily.

“How dare you threaten my family!” Lieutenant Michaels shouted. “You have no right!”

“Actually,” Marrows responded. “I do.”

A fire ignited in the Lieutenant’s eyes. He lunged for the Chief Detective, his face distorted in anger. A single fat vein protruded from his neck. Alas, his attack was too slow for the detective, who produced a handgun within milliseconds. The previously quiet firehouse echoed with the discharge of Marrow’s retaliation. Blood splattered every surface in front of the detective as Michaels’ corpse fell to the ground with a pathetic thud.

The remaining firemen were scattered across the firehouse floor, streaks of crimson blood stained their yellow uniforms. Before they could regain their composures and attempt to retaliate, squads of police officers and Collectors stormed the firehouse, disarming and retaining all the firemen. They were marched outside and thrown against the steel door of the firehouse. One by one they turned to face their captors, squinting from the intense sunlight.

“Well,” Detective Marrows started. "What are you waiting for? Death by firing squad effective immediately."

The detective disappeared amongst his government personnel. Shortly after, a crescendo of bullets resonated throughout the empty streets surrounding the firehouse.
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Michelle Torelli & Maximilien Marton's PSA

Posted by Maximilien Marton in Physics - Echols on Friday, January 6, 2012 at 12:35 pm
Here is our PSA. Enjoy!
Physics PSA PETS
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Election Day Interview

Posted by Maximilien Marton in American History - Laufenberg on Wednesday, November 9, 2011 at 6:47 am
Election Day Picture MMarton
Election Day Picture MMarton
*My interviewee would like to remain anonymous.

​Q: What motivated you to come vote today?
A: It is pretty routine for me, actually. I vote because that is my civil duty.

Q: Do you vote in every election?
A: As far as I can remember, yes. Like I said before, voting is my civil duty, and I try to fulfill that to the best of my ability.

Q: Do you know why we vote on Tuesday?
A: No, do you?

Q: Where have seen the most political advertisements?
A: I would have to say on TV. I watch TV regularly, and I see the majority of ads in the commercials.

Q: What is the most memorable campaign ad that you've ever seen?
A: The Obama advertisements. That was such a memorable campaign, so I guess the ads were very memorable as well.


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Immigration Visualization Project

Posted by Maximilien Marton in American History - Laufenberg on Friday, September 23, 2011 at 9:52 am
Immigration in America
Immigration in America
When first exposed to the immigration statistics, I took note on how drastic the different change in numbers were. As observed the information further, I connected the different highs and lows of the numbers to different points in history that I was previously aware of. I cannot say that the statistics took me completely by surprise, but neither can I say that one point didn't intrigue me. In the timeframe where the Gilded Age was at its height, the immigration numbers were't as high as I pictured them.

Predicting the future immigration statistics is perplexing. On one hand, the United States is currently in a time of economic tension, which I believe would repel immigrants. On the other, immigrants today from many countries in Europe are trying to escape their own nation's economic problems that are worse than the situation in America. One prediction I feel confident about, is that there will be many immigrants from countries like Greece and several North African nations. I do not know if our immigration numbers will follow the same increasing trend.

My group and I wanted to create a timeline of sorts, but we didn't want a normal, horizontal/vertical type of graphic. We decided to use a spiral, because it is a visually captivating figure. We then added several pictures that represented different points in time that effected immigration. The most challenging tasks in creating our piece had to have been using Adobe Illustrator and marrying physical media with digital media. Finding a scanner was a laborious task as well...
If given the chance to recreate my group's final project, I would like to do all of it in Adobe Illustrator. I feel it would look more streamline that way. I would have also added more information, as well as a y axis so that people would be able to actually get numbers from this visual.
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Refran

Posted by Maximilien Marton in Spanish 3 - Gierke on Tuesday, September 20, 2011 at 9:46 am
​​Soy de Filadelfia
de la música árabe
y la cultura francés
Soy de mi familia
Los personas Locas
soy
 de mí


My refran is a summery about my family and culture.
I like the rhythm of my refran
I would mike to add some rhyme to the refran
Making the refran sound catchy was hard.
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I am From

Posted by Maximilien Marton in English 3 - Rami on Friday, September 9, 2011 at 2:51 pm

I am from everywhere all at the same time.

From transcontinental culture,

and hometown warmth

I am from my family at its prime.


I am from France

From oven baked baguette

that sounds a symphony of crinkled bliss

when you break it

From the rustic cobblestones of Paris

they outline the decrepitly beautiful city in a sea of gray brick.

I am from La Chapelle, a village one usually finds only by chance.


I am from the influence of Morocco

From vegetable dyed maroon rugs

Made with love and not malice

From Belly dancing and Arabic music

that contorts and shakes

I am from the love j'ai por tata zboo.


I am from Philadelphia

From City of Brotherly Love

of water ice and cheesesteaks

I don't really like them…

but it doesn't mean I don't cherish them

From Fairmont where I grew up

but wasn't born.

From playing on slate side walk

hands gritty with chalk

skipping hopscotch

I am from the childhood

that I only wish I could have cling to when it was possible


I am from the demons

that I survived

and conquered

I am from me

Pure, simple,

and real

I am from me.


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Humanities Portfolio 2011

Posted by Maximilien Marton in English 2 - Block on Monday, June 13, 2011 at 1:37 pm
Screen shot 2011-06-13 at 1.34.01 PM
Screen shot 2011-06-13 at 1.34.01 PM
​Humanities Portfolio

Maximilien Marton


When Mr. Block assigned this project, and announced its full details, I didn’t exactly feel that I had learned anything majorly crucial. As I contemplated this further, I realized that in fact, I had learned multiple lessons and essential nuggets of knowledge, just that they were taught in such a subtle way, that I didn’t fully recognize their importance until I actually took the time to realize them. One aspect of this situation that intrigued me was how the knowledge was not completely hidden in my conscience, but only enough so that I could summon it when needed without the need to decipher its apparent existence in my mind. 

In example, during both of the court trials (here and here) I learned to be more sympathetic and to consider multiple points of views, even if my own expressed a strong adversity to one or more of them. For instance, during the Cortes trial, I prosecuted many of the other groups in defense of Cortes, whom I felt quite strongly against before the trial. During the research period of the trial, I found multiple resources that placed a notion of leniency in my conscience. I found that more and more, as I learned Cortes’ point of view, I felt warmer towards him. Of course, I still disagreed with his methods and his logic, but I still considered his ideas. During the Sweatshop trial, The same effect occurred, where I felt more lenient to the group of people I defended.

Looking back upon the monologue project (here), I found that once again the same phenomenon occurred. Because the editing process was so lengthly, I didn’t realize the full extent of my learning experience. During the first few weeks of the project, I had one idea, and as the project progressed, the idea behind my work evolved as well. I switched from studying prostitution to transgendered individuals. As weeks went on, studying transgendered people shifted to studying their childhood, and then to their life experiences. I didn’t realize at first that I was being taught such an interesting and crucial subject, because I was the one who teaching myself along the perimeters that Mr. Block set.

I found that the majority of the lessons learned in class were taught by the students to themselves, with Mr. Block acting as a sort of mediator. Like our monologue project, many of our essays and papers were for the most part, self taught through research. I suppose that the core values of SLA play a major aspect of this. Our history benchmark for this quarter (here) is a great example of self-taught learning. After our unit on colonialism, which gave us a broad knowledge of the subject, we were instructed to inquire upon a culture inflicted by colonialism, research it, present a proposal for a museum exhibit concerning it, collaborate with peers on the best choice for the museum, and then reflect upon our work.

An example of a more structured assignment, would be our poetry project (here). We were taught to observe poetry with new perspectives, by using poetic forms which we wouldn’t usually utilize in poetry, for those of us who actually write poetry. It is almost ironic that the poetry project would become the most structured assignment in our academic portfolio, when the vast majority of poetry is anything but structured. That aside, I learned many aspects of poetry that I had never learned before. For instance, the poet that I studied, Arthur Rimboud, was a poet that I had never heard of before I decided to research him.

So, in conclusion, I have learned many lessons and bits of knowledge that I had previously not recognized. Now that I have realized this crucial realization, I can better prepare myself for further learning that will also be essential to my academic growth. It still intrigues me that all of these crucial subjects were absorbed by my conscience without my own recollection.

Tags: Portfolio, History, English
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Art For Quarter 3

Posted by Maximilien Marton in Advanced Art - Hull on Monday, April 11, 2011 at 8:12 am
​This quarter in Art has been a wonderful learning experience. We experimented in different areas of art, and it proved to be rewarding in so many ways. Developing skills in drawing different subjects with different mediums pushes our own concepts of art, and propels us to experiment more with the unknown.
I am especially thankful for the various projects this quarter. The pieces that I have completed can now go into my portfolio, which I will continue to build in order to achieve my dream of going to the Parson's School of Design. Developing my skills as an artist by going outside of my comfort zone and embracing the unknown have certainly helped me gain a perspective on my future art. I can't wait to see what's in store for us next quarter.
In conclusion, I am very thankful to Mrs. Hull and the projects she gave us, for they are rewarding in more ways than one. I am very proud of my progress in art this quarter, and I will continue to build upon my skills, and become a better developed artist.
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Screen shot 2011-04-11 at 7.55.25 AM
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Merger to Monopolize

Posted by Maximilien Marton in World History - Block on Wednesday, March 30, 2011 at 9:09 am

Recently, debate over the proposed merger of two phone companies has been clogging the tubes of the tech world. Cellphone giant, AT&T, announced on March 20th that it has agreed to acquire T-Mobile USA for a whopping $39 billion dollars. To most, this would seem to be a considerably hefty price, but in reality, the acquisition’s benefits outweigh its disadvantages for AT&T. From this purchase, the company would gain substantial network space, which would assist it in relinquishing its dismal reputation as being “the network with the most dropped calls,” as well as aid in the development of its up and coming 4G network. Though that news alone is significant, it is not what has become the center of a considerably heated debate.

AT&T and T-Mobile cellphones operate using a technology called Global System for Mobile Communications, which is more commonly known by its acronym, GSM. GSM is the international standard for cellphones, and is used by consumers across the globe. Why does it matter that AT&T and T-Mobile are GSM carriers? Well, they are the only GSM carriers in the United States, as other American cellphone giants, such as Verizon Wireless and Sprint NEXTEL, use a different cellphone technology, CDMA.

Considering that this merger would produce a monopoly of sorts on GSM technology in the United States, many prominent figures in the cellphone industry have risen in an uproar, opposing the union of the two companies. Cellphone manufacturers such as Motorola and HTC are among those who are against the merger, because If there is only one GSM carrier in the United States, that carrier can now dictate the prices of the mobile phones it buys from manufacturers, as they are their only GSM customers, ultimately controlling the amount of profit the manufacturers achieve. 

Another company that has strongly voiced its opposition towards the merger, is Sprint NEXTEL. As of now, Sprint is number three on the list of largest cellphone carriers, above T-Mobile and behind AT&T. If T-Mobile is acquired by AT&T, AT&T will skyrocket to the top of the list, above Verizon Wireless, leaving Sprint still in third, but a considerably smaller company than either AT&T or Verizon, eliminating it from being any sort of competition to either network giant.

So, what does this mean for consumers across the nation? Well, if you belong to  a CDMA service provider, and you never plan to leave the country, you are the least affected by this, and you probably have an indifferent standpoint on the whole debacle. If you are a GSM user currently on T-Mobile, or a future GSM user, you are most effected by the merger, and should view this dilemma as a cause to protest. For current T-Mobile customers, the future of your phone bill is unclear as of now, but expect to eventually have to pay AT&T’s exceptionally expensive rates. As for future GSM customers, you will only have one choice in carriers, and if you do not favor their price, tough luck. 

Reviewing all of the facts, it is evident from this acquisition, AT&T is concerned only with their own personal growth, and the growth of their customer ecosystem. It is unfortunate that they are more concerned with the future of their company, and not with  American consumers as a whole. Then again, in an industry as competitive as the cellphone industry, the favored saying must be, “to survive, you either have to eat, or be eaten.”

Tags: mmarton, History, Op Ed, AT&T, Merger
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Quarter Two Art Project: Painting Portraits

Posted by Maximilien Marton in Advanced Art - Hull on Friday, January 14, 2011 at 10:40 pm
​Painting Portraits
Maximilien Marton

Ember
Ember, was the first oil portrait I ever painted. Prior to this painting, I had virtually no experience or education regarding oil paints. Through trial and error, I somewhat taught myself how to paint with oil, only asking for help once, when I was completely lost trying to clean my brushes (thank you Ms. Hull!). Though I made many mistakes, I did enjoy experimenting with a new medium.
Working with oils was a truly rewarding experience. I found that after a while, I really enjoyed painting with them. I came to love the feeling of pushing the paint across the canvas. I don't know if it was just the weight of the paint, or the brush, but it just felt so satisfying to perform each brushstroke. Whenever I painted, all my stress seemed to melt away. Of course, this state of lucidity could have also resulted from the amount of paint thinner that I exposed myself to, cleaning my brushes and all, but I like to believe otherwise...
photo-2
photo-2
Remove the Mask
The second painting I created was titled Remove the Mask. When brainstorming ideas for this piece, I thought of people trying to be everything that they aren't. Not wanting to come off as focusing solely on the negative, I decided to depict this by painting a woman removing a mask from her face.
While working on this portrait, I changed my mind constantly. I made her hair various colors until I mixed the right amount of sienna and yellow to get the copper-ish tone that I settled with. Shaping the face was another aspect of the painting that I was quite indecisive about. I was constantly reshaping the nose, brows, eyes, and chin until I got just the right form that I felt good with.
Though I was met with many small decision points with this painting, they were certainly important to the overall feel of the painting. I am glad that I questioned every part of my process, because if I didn't, I wouldn't feel as satisfied with this painting as I am now. If you aren't content with your work, how can you expect anyone else to be, right?
photo-1
photo-1
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Garbage Chic

Posted by Maximilien Marton in Advanced Art - Hull on Wednesday, November 10, 2010 at 10:10 am
​A Very Trashy Dress
by Maximilien Marton

Artist Statement
When I think of statements like "Go Green," I think of a fashion statement. I realize that it is terribly pessimistic of me, but today, it would seem that when one says they are "green", it is almost like they are saying that they just bought that expensive pair of jeans everyone wishes they had. I constantly see celebrities on the news talking about what they have done for the environment.
Observing this unfortunate reality, I perceived an idea for an art project. I figured that if I take this hypothetical fashion statement, and turned it into an actual fashion statement, I could turn the negative to a positive. This is why I decided to create a dress out of a recyclable materials. I chose garbage bags as my medium, simply because they are black. I can't tell you how many times I've heard the phrase "green is the new black", and because of that phrase, I coined my own, stating that "black is the new green".

Unfortunately, I was unable to finish my dress. It took me a very long time to figure out a design, but eventually I settled on a v-neck dress with cascading newspaper along one seam. Around the later days of my process, after cutting, gluing (I still have some burns), and assembling the dress, I realized that I didn't have enough time to finish. When I realized this, I found out another horrible truth. My mother's boyfriend was looking for a trash bag, and picked up my dress. attempting to open the "bag", he tore the art by both seams. That was about four weeks worth of work, down the drain. You can imagine how livid I was with him.


Pictures
Sketches
IMG_0904  IMG_0906  IMG_0907  IMG_0906
The Dress So Far and the Dress Form That I Made (Duct Tape)
IMG_0633  IMG_0632

Bottle Cap Poster
IMG_0693
The inspiration for my poster was resources being wasted, as you can see, the pepsi bottle is being emptied and wasted. Thus the slogan for the poster, "DON'T WASTE!"
IMG_0693
IMG_0693
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