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From Monologues To A Play

Posted by Aja Wallace in World History - Block on Sunday, April 10, 2011 at 9:50 pm

This series of monologues (now turned into more of a play form) tell a short story about the people of Zimbabwe when they were in a great time of need. The country was one a bit of a turn when the people started to lose their homes and get most of their money taking a way from them. At the time money was becoming less of a problem because the people that were left behind had to pay the hospital with food in order to survive and receive the type of care that is needed. The people of the land blamed Mugabe for their problems but his intentions are to clear his name.

Title: Footprints Aren’t The Only Thing Left Behind In Zimbabwe

By: Aja Wallace


Cast of Characters

  • Chenzira-An old man who is age 65 his name means born while traveling. Which happened when he was younger his mother had him in the back of an old truck while they were on their way to Kadoma then Chinhoyi. Ever since then his family stayed moving from place to place and took up same habits when got older even.
  • Robert Mugabe- Is the president of Zimbabwe, he is 87 years old.
  • Gamba- Is a 14 year-old boy his name means warrior. He has gone through a bit of things in his life but the Falling point of Zimbabwe was the biggest thing yet.
  • Dakarai-Dakarai is a 12-year-old girl and her name happens to be a boy name. The name is of that gender because she was the fifth child of her parents and is the only girl her. Dakarai’s parents came up with the names before she was born they told themselves they would keep the name even if she were a girl. She is now aware that her parents were not too happy with her birth so she takes her anger out on others.
  • Sheba -Is a 13-year-old girl who is an extra character for Dakarai’s part.

 

Setting

In Zimbabwe when Robert Mugabe was President. Starts off during the day and as time goes on different day occur.

 

Act 1 Scene 1

 (Curtains open: Day time Lights: Curtains open Chenzira downstage center, sitting on the dirt road watching the cars go by and counting them under his breath with small lip gestures and he moves his head up and down to match the cars going by. Speaking with slight sick tone. With a dusty dirty bag with Salted Groundnuts in it. With an open wound on his left leg between his calf and ankle, not covered.)

 

CHENZIRA

So um they left us, just left us to die. Not to live only to die......Then they want to take all da  money away.......Yea, they wanna make us pay in food. I know it sound crazy. Not even real. When I first heard it I thought they was jokin’.

(Gets excited and starts to cough then clears his throat deeply)  

They don’t even use it! They got that food lookin like a giant sand dune of unshelled nuts in dat hospital’s cavernous chapel. See they care more about the food their getting then the medical care of the people.

(Brings his left hand up to his waist then shakes it to all of the Syllables in the next sentence. Then brings both of his hands to his sides.)

They literally, are providing medical services for peanuts I still can’t even believe it.... So um now I’m sittin’ on the road left with no where to go and of course nuttin’ to eat, I’m so sick, that even if there was a job out there for me anywhere I can’t even work. To make things better I havta take this

(Holds up above his had with his right hand, a dusty dirty bag of Salted Groundnuts then puts it down.)

Little bit of food I do got to da hos-pital to save my life.

(Shouts with lots of anger)

What little life I got left! So for the idiot who said choosing food over money is stupid,...is stupid,.... was stupid, well you know what I mean.....

(Shakes his head kind of fast for three second, then walks to Left center stage and sits with his knees in his chest with the bag of nuts still clutched in his right hand.)

 

 (Coming from upstage right Dakarai, Gamba and Sheba are running down stage right then over to Chenzira and Dakarai kicks dirt on Chenzira.)

 

 (Chenzira stats breathing heavy while staring at the kids with a puppy dog eyed face. Then starts to move his mouth to pretend he is talking to himself while one fear falls out of his right eye. He lets that tear run and fall to it can’t be seen anymore then waits to see what the kids do next. He slows his breathing down and puts on a face of confidence.)

 (Dakarai, Gamba and Sheba approach him. Dakarai and Sheba start to laugh at him then two of them ran off to up stage right, turn around and look at Chenzira for two seconds then leave the stage. Gamba stays and pulls out a piece of cloth from his pocket with the two letters RM on the bottom right hand corner of it. Robert Mugabe’s cloth. He then gave it to Chenzira and walks down stage right when he gets their he puts the cloth in his right pocket and pats the pocket twice.)  

CHENZIRA

See those damn’in kids don’t even know, they won’t even stop for those areas dat don’t got functionin’ hospitals, the cholera epidemic got to those people. Just like when all that talk started about deporting undocumented Zimbabweans because of their working permits.

(Fanning his right hand to the air twice then puts it back down.)

Man I’ll tell ya…but that cholera the, killed more than 2,000. See they don’t even care. Tough luck isn’t even a way to put it.... No you can’t fool me to think everything is just gonna change over night because you tell me the US-based group called for the UN to take control of the health service. They just gonna make us poorer by tellin’ us to bring more peanuts to them. I know, you think how would I know but they seen everything fall apart. Yessss, they did nothin’. All they do is take, take, take and expect us to give, give, and give. The only gift we truly get is death from the sick and no food to eat. For those who family is nowhere to be found they just died of disease and if not they just go and do somethin’ crazy..... Yea there are a lot of people that need food, if you tryna be an aid, eleven million to be exact.

(Spoken very slowly)

We have no phone service and no electricity all we want is to live, but no they take the one gift we get from God.

(Stands up slowly as he is yelling with anger and hitting both his fist against his chest with a steady beat.)

Nobody care for me, nobody care for us. No-body. We just da Zimbabwean people, I know I see the looks on the faces. Everybody think cause I’m old I don’t know what I’m taking about but oh you damn well be-lieve I do.

(Deep laugh)

Hahahahaha cuz Robert is the one to blame...  

(Passes out and light goes out left stage center. As the lighters are going to upstage right waiting for Robert’s arrival, Chenzira gets up and walls off stage. Curtains close )

Act 1, Scene 2

 (Curtains open:Enters from upstage right, then walks down stage center and lights come on with an office setting with the sound of Laughing Dove birds in the background. Robert then starts speaking in a nervous tone and twitching his right hand by his side)

 

ROBERT MUGABE

For being the second president of Zimbabwe I know I am doin’...doing. A very good job. Not something everybody can just say. To rule against the white minority is a powerful thing. See, leaving people behind thing was only something that had to be done there was no other way. Any other way would have been the wrong way.

(Robert starts to sounds less nervous and the sound of the Laughing Doves stops in the background)

To fix everything to make it right we as a whole had to make everything the way it is suppose to be. I suppose you, want to know how the people felt, they were okay with it. They didn’t mind what was going on. While all of this is going on I’m living just fine. I happen to like, no I happen to love the life I live.

(Stops shaking his right hand then stats to shake the left hand. Then starts to look around as if he was being watched)

See when I went to prison I really think that gave me a different outlook on life and all the things it has to offer. I can have any and everything, everything I want in life and I’m just doing to take it, why because I have the right to do so. I have a nice house and I’m very happy so everybody else should be too.
(The lights go off upstage right, and Robert is walking off stage.)

 (Chenzira comes back on stage and walks to the center of the stage the lights start out dim on him then get lighter. When Chenzira gets to the center of the stage he sits there looking around. Then lays down with his head facing down)

Act 1, Scene 3

 (Sun Set Lights: Dakarai and Sheba are walking back and starting to mess with the old man. They start to stare at the old man to see if he moves because they think he’s dead staring in awe. DAKARAI starts to speak both Dakarai and Sheba are standing next to the Chenzira. The Dakarai starts to speak.)

 

DAKARAI  

He’s dead look at him jus’a lyin’ there. Ain’t doin’ nuttin. Look at dat fly on is leg, its about to eat his meat right out his leg! Hey lets poke him wit a stick and see if he bleeds more. Then again lets not we don’t wanna get what ever he done got. Yea that smart man disease. Thinkin’ he know everything, about everything. He don’t no much of nothin’. Nothin’ about nothin’. Ha! Ha! nothin’ about nothin’. Yup that’s what he knows. Betcha he didn’t know Sr. Wantsalot hahah…. Mugabe was trained as a teacher in a Roman Catholic school. Got peoples thinkin’ he into that religion stuff but don’t wanna help people in need. Religious man?...Praying for people?...Helping the people? Nope ! He sure ain’t help us. Ha! Ha! Us, dat man, nobody tat all. All he want it stuff dats gonna make him happy and take away the money everybody once used. Got us layin’ on dirt roads. Fightin’ of them skeetoes in the nights. And he up there…somewhere, somewhere nobody knows sleepin’ like a lil baby.

(Sheba echoes Dakarai and Sheba’s voice is a little louder then Dakarai’s)

Betcha, betcha,

(Dakarai speaks again, by herself)

Man don’t know, after he come from jail he wanted da white man farmland too. Aahahah yeaa, mama told me bout dat one. Taken the land from a white man don’t make you no bigger and better but he seem ta think so. Betcha he didn’t know, just betcha he didn’t know he da whole reason why nobody was gettin’......em-ployt, employ.....JOB!...ahahah yea.


(Both of the children exit out upstage left together and skip while they’re leaving. Curtains close.)

Act 2 Scene 1

 (Curtains open:Night Time Lights: Down stage right the lights come on and Robert enters the stage from the right wing and walk to upstage center and as he is walking there the light is coming to meet him at upstage center. Standing in his house all alone in front a window, the window is on the wall upstage center, with the glare of the moon shinning in his face. Staring out a window looking at the moon with a blank face. With a big mirror reflecting his face and torso to the audience.)

ROBERT MUGABE

Everybody who’s anybody think they all know me. Think they all have me figured out. I laugh at you all. You all get to thinking I don’t have a heart, Oh! but I do. I have loved and lost. I was married to Sally Hayfron and her kidney gave out before her heart was supposed to. Tough time for me almost reminds me of my childhood,

(Mild chuckle, then sighs)

Yea, my siblings and I always had the hope of growing up to become a nun. Mom was a passionately religious woman.

(Sigh)

Which brings me back to 1934,Michael,..... my brother, he was only fifteen, and he died,...

(Sigh)

Wasn’t easy at all the considering the fact my mother fell apart. His death was so traumatizing it’s freshly in my mind with vivid description. It was something that nobody, I mean nobody wants to go through....... Those dishes, cause of the enema Father O’Hea had to inject and. …those dishes, I remember the exact spot where they were with Michael’s pieces of intestines in them. All of this because...

(Two sniffs and starts to cry a little)

Nobody was willing to take him to the hospital for the proper care he was in need of..... They said no they can’t take him cause mom wasn’t home but dad wasn’t either but dad was never there...., never so mom was all we had. So everybody said no they couldn’t take him to the hospital because they would have had to cut him open there. All I wanted was my brother to live, but instead I got he gruesome memories of his body in bowls.... Yea I know it wasn’t even about me but because of that I’ve been scared ever since. Then I became the oldest and I had so much, so much stuff to help out with.

(Turns to the audience, yells and sniffles between every word)

It was so hard for me!

(Lights go off up stage center)

Scene 2

 (Next day, 6am Day Lights: Lights come on right stage center, Chenzira walks on stage from the left wing, with a bag in his right hand. He goes to right stage center and starts filling up a small holy bag, full of rocks. Moving at a steady paste. Then he starts to walk all around in circles and squatting every time he finds the rock he is looking for. Also looking up at the audience from time to time. Taking to himself with a slight mumble. The walks to down stage center.)

 (Walking out to down stage right and sits Indian style facing Chenzira and listening to him. Lights shinning on both Gamba and Chenzira)  

 

CHENZIRA

Haahah

(Sigh, then starts talking to Gamba)

Yea cuz’a I know what er’body don’t know but once I tell you, five minutes later you gonna be done said, cha knew it!

(Starts speaking fast)

And dat ain’t e-ben fair to me cuz then chu gonna be goin' round sayin’ dat old man crazy

(Starts speaking at a regular pace.)

..........But right now chu and nobody else don’t know nuttin when, I knowed it. So I hear some people talk about it... Yea those things we ain’t pose to mention.....

 (Gamba moves his mouth and frowns his eyebrows as if he is asking a question but no words come out of his mouth, just movement and Chenzira makes an annoyed tone)

Well uh I dunno why they mention them.

(Back to his regular voice.)

...Yea?...Yea. Them voices,

(Shaking his head as if he is agreeing with someone)

I hear them and they told me too. They told me about it,

(In a whisper, and squats down to Gamba)

Sssshhh. Now look’a hear just cause them voices be tellin’ me stuff don’t me you can go on tellin da whole world.

(Back to regular tone of voice and sits Indian style next to Gamba)

But you prolly gonna go on an do it anyways....ain’t chu boy?!....... They say about the death of Michael, Mugabe’s brother and how Mugabe became his mother favorite child when he was gone. Cause she done gone and went crazy.  So then she wanted the little ole shy child to become everything she wanted him to become. They say it was a lot for him to live up to since he was so sensitive and what not. Then they say he became a bookworm because he got teased when he was younger by his friends fo bein’ sucha mama’s boy. Cuz he was sucha mama’s boy he couldn’t even fight to keep dem books in his hand.....but everybody think cause I’m old I don’t know what I’m taking about but oh you damn well be-lieve haha, I do....Haahah

(Sigh).

What’s cho name mean boy? Cuz if you ain’t figure it out by now I can tell’ja what it mean....and uh before I forget don’t come round here lookin fo me no more........Cause I heard of some place up da road bouta, uh, 2,3,4..uh 3, 4 miles up the road on foot. So I’m gonna be goin dere to see what kinda stuff they got in store for us. Wanna see they gonna help us in this time of

(Puts hands up and makes air quotes for the word need, along with a slight grin)

“need”.....Yea, I know everybody sayin’ that place ain’t but no good. But,

(Mild chuckle)

Can’t be no worse then what we got here on them dirt roads over there. I be eatin’ dinner out the dargone trash can for god sake....I miss them good old days. When I had a house wasn’t what most people would like to have, but I called it home.
That place never done me wrong it was always there, everyday of the year. I ‘memeber one morning waking up and looking at the ceiling, it was warm the day, the cool breeze trickled down from my head to my toes. It was a sudden rush you get, like when you on the beach just relaxing. Then out of nowhere you get to fill that cool ocean breeze.....Yeaaa I know its nice itn’t it?... Yea, everybody say that, I know nobody can get enough of it...but that’s not important I have to go on now and get ta walkin’.

Scene 3

(Noon/Miday Lights: Speaking to the old man. Still sitting on the ground in Indian style.)

Huh?...My name?..my name is um....no ain’t no cat  got my tongue. Just nobody neva cared nuff to asked dats all. Cuz I’m all older and nice they just think im nothin’ but a big mamas’s boy.

(Trying to make eye contact with Chenzira but squinting because of the glare of the sun.)

GAMBA

Same thing they thought about Mugabe. Some lil mama’s boy who all soft and can’t do nothin’. But see I was doin’ something my name means well idunno but I’ll think of something if you ain’t tellin’ me, Well I’m 14 so that should make some difference in how people treat me but nope, it don’t not one bit. Come to think of it Mugabe was only four year younger then me when he had to be at his strongest. See he so set on doing big things and I know I can’t do big things.....How I know?.....Cuz I’ve tried the only

(Holds hands up and using air quotes when he says big thing)

“Big thing” I can do is take a crap. Wait nope, not even do that cause sometimes I cry to my mom, so I can’t even do that. See I can’t do nothin. Nothin at all......Oh,
(Spoken as if he is asking a question)
my name
(Spoken regular)
…..Gamba.
(Lights go off on them as they walk upstage left and exit stage out the left wing. Curtains close)

Act 3, Scene 1

 (Curtains open:Day 4pm Lights: Enters from right wing. Walks down to center stage, in a brightly lit office typing on the computer, sitting at a large desk. Talking out loud to himself as he gets his paper work done.)

ROBERT MUGABE

 

This work is always more everyday I step foot in this office, I finish one thing and bam! There’s another. Tryin’ to make so many deals and bargains. See and everybody really use to think I was a mama’s boy but look where it got me. It’s a funny thing.

(Turning his both his eyebrows in and down and putting his left hand on his chin with his below on the desk.)

To those of you that already know me, this will simply be a joyous refresher of your cherished memories of me. To those with the still unfulfilled desire to know me better, I welcome you to an intimate glimpse of Mugabe” See I went to jail for “subversive speech” and I only want the white mans land because I don’t trust them....Put me in jail. That was not even right.

(Lights go off of center stage. The desk is removed)

Act 3, Scene 2

(Enters from the left wing then runs to the center of the stage then falls to the ground on his knees, looking lost and looking around very fast. With big tears coming down his eyes)

GAMBA

Chenzira! Chenzira! Where?.....Where is Chenzira...Did they see the art of Mugabe and think he did it?... They saw that artwork that was insulting to him, but how could they think the Chenzira did it?..... There is no way they can blame him for such things. He just didn’t want to see these things happen to these people. He has lived on this land for so many years and to see it come to and end hurt him down to his heart....The people with the news cameras come around and see Chenzira talking about Mugabe and as soon as something is displayed they think he did it!....Wait I know where Chenzira went to the place

(Walks to down stage left then knocks on the door facing the left wing, talking to a pretend person who opens the door.)

Have you seen and old guy

(Holds up arms until he can’t reach anymore)

About, this tall, really old with a limp to his right leg, 5 gray patches on his head and shinny fake eye with a big black and purple scare going through it......Down the hall?.... What do you mean he’s suppose to be down the hall but you don’t know where he is…..okay okay Thank you, for the help you didn’t give.   

(Sun Set Lights: Walks around the stage, down stage right and down center throwing rocks. Then he moves to left stage center throwing the rock directly across from him to right stage center. He begins the sounds of the rock hitting the ground is not longer happening it is move of a thump sound. Gamba then walks over to right stage center and removes the covers thinking he has found Chenzira.)  

More covers, how nice, you told me you were going to be here it was like you lied to me for no reason, no reason at all. I was all worried about you, got thinkin’ somethin’ happened to you....Your not here!....Yes that’s sounds like the guy I was lookin’ for....well idunno where he is! That’s whyyy Ugghhhhhhh. Okay, well he said he was gonna be here, I can only go by what he tells me.....Well no, I dunno where you are,

(Spoken as if asking a question)

I guess he thought he couldn’t trust me.

(Sigh, speaking regular and his eyes start to water)

Yea, he must to have wanted to protect himself who wouldn’t in this world.

 (Mugabe walks into the room from the left wing, over to Gamba)

ROBERT MUGABE

Guess what, I heard you screaming about that old guy and I’m willing to help you look for him if you’re looking for help. Or should I say want my help...Yea, because I’ve heard dome not so nice things said about me and I have to start fixing thing around here and for starters lets make those watery eyes go away......Yea, have to fix this and I want to, so cry no longer and sorry I can’t wipe your tears with my initial   cloth but I seem to have lost it when I was on the go trying to take care of business. For a while I never a lost it and I didn’t even care now I want it back. My mom gave it to me when I was younger.

(Mugabe looks at Gamba waiting for his next move)

 (Spots and picks up a piece of paper on the ground with his eyes and opens it, then begins to reads in a whisper.)

GAMBA

 

Warrior, cuz...Ima...a warrior

(Speaks louder and waves the paper in the air)

A warrior

(Speaks in a regular tone again and puts the paper in his right pocket and pats the pocket twice.)

I’m a warrior Chenzira says, that’s what my name means.  


(Lights go off of Gamba and Mugabe and they wall to upstage right and exit out the right wing. Curtains close)

Act 3, Scene 3

 (Curtains open: Night Time Lights: Enters from the left wing. Walking to down stage right, with a drink in his right hand half drunk. Walking with a slight wobble. With another liquor bottle in his left pocket.)

CHENZIRA

Everything was not so easy I hate when people think life is always easy.

(Screaming to the night sky, with his left hand in a fist throwing it to the sky.)

You are all dummies.

(Talking to the audience as he walks down stage right and down stage left back and forth in a timely manner.)

I’ve been on top before and it was swweettt, man was it oh, so friggin’, sweet! But then came Mugabe taking everything from me.

(Drinks some of the liquor in his hand, lets it drip on his chin and doesn’t wipe it.)

We were neck and neck

(Big deep belch)

Then the crowd was quiet but then they just wouldn’t shut up cause Mugabe was talking so the kept a clappin’ and clappppiinnn’

(Screaming to the night sky)

Damn you all.

(Talking to the audience as he continues to walk down stage right and down stage left back, forth in a timely manner)

When I got up there they were quiet, ahaha or is it that I’m so drunk I can’t even remember what the crowd did from me ahaha but anyways. Yea there were all those, white, black, tan, orange and brown faces. Every last one of them was just there. Then

(Stops walking and sits down stage center on the corner of the stage so his feet dangle off the stage and starts talking to the bottle.)

That guy, don’t know who he was but he knew what he was talking about, wait no he didn’t

(Drinks from the bottle again, this time some falls out of his mouth on his chin and he wipes it with his left hand.)

Cause she, he said Mugabe was da new president. I tried to act like I don’t care but I did, but day just made me so made and he that guy who told everybody Mugabe was the president, he done lied to me. Told me he was my friend I found my new friend.

(With unsteady finger points at the bottle of liquor and shakes his head as if he is dizzy.)

Yea, yyooouuu. You never lefffft me, you were always there, you new I nnneeddedd chu. ‘Memeber that time we lost the house and I was drinkin’ you so I didn’t really care but then I neededdd more of you so I gave my clothes away to get more of you

(Smiles a big Kool-aid smile)

I had so much more of you, even doe in da morings you wasn’t always so nice. Then those jealous people was tryin to make me get rid of you, but

(Tears fall down his face and stats to yell)

I wasn’t about to do that!

(Speaks in slight drunk voice, no longer yelling)

I listened to your whispers so closely, ever so close....I ‘member those nightsss tossing and turning because I was sick and you were all I had. I needed you everyday and you were the only one that understood me. Like no utter. And I know why this happened he told them...Mugabe that’s who, told them, that I was a drunk but I didn’t

(Cries)

Need it everyday until I lost I just didn’t know what to do with myself. I was a screw up. Dats what me pa use to call me when I didn’t do things right all the time.

(Drinks the rest of the bottle then pulls out another bottle from his left pocket, opens it hold his head up and drinks it all, belches and pass out as the light fade away from him. He then rolls off stage but stays in front of down stage center and passes out.)

(Next day, Day Light: Gamba and Mugabe are walking and looking for Chenzira, outside. Mugabe walks to right stage center and stands there.)

GAMBA

Chenzira ! Chenzira!

CHENZIRA

Go home boy!

(Yells from off stage, while he is down stage center. Gamba then runs to up stage left and stands there to cry.)

CHENZIRA

I hear you boy cryin’ go home I’m not about to tell you one more gin.

 (Gamba then runs to the left wing to exit. A dumpster is pushed out to down stage right, the front part of the dumpster is cut off so the audience can see inside it. Chenzira then gets back on the stage and climbs into the dumpster but no light are on him. Curtains close)

Act 4, Scene 1

 (Curtains open: Lights come on down stage left: Mugabe walks to downstage left and starts to walk slightly back and forth.)

 

ROBERT MUGABE

Now I see how you think this is my fault all these things happening but it is not. So you know I want to clear my name to show you that I am not such a bad person..Yes

(Sigh)

I do have my ways just as much as the next man, and yes sometimes I might not think of other people from time to time if I’m trying to do something to benefit myself.

(A chair is put down stage left; he walks to it and sits down, and crosses his arms)

See where outside and I’m not so high up in class....... How do I know?...I-I just sat in this dirty chair with, only lord knows what’s at the bottom of it.

(Light goes off left stage off Mugabe. Curtains close)

 

Act 4, Scene 2

 (Curtains open:Right stage: Lights turn on Chenzira, sitting in black oil in an open dumpster with liquor bottles in both of his hands, one under both his arms, one under his neck, one between his knees and one between his feet. But he is talking to the one in his left hand)

 

CHENZIRA

You don’t even know the meaning of dirty and then if you went’a touching on something that was dirty you’d get the thinking you know what’s it’s like to not have everything all the time......Hahaha, yes that’s what I would tell Mugabe if I saw him...but I’m telling you..

(Slightly shakes the left hand)

I don’t want to be found. Well ain’t like nobody cares about me, well maybe Gamba but I didn’t even tell him what his name mean....and means warrior too.

(Sigh)

I never even told him…. Little man

(Sigh)

He jus keep on. He ain’t even give up on me, like everybody else did. Ain’t turn his head not once when he saw the dirt road was my home.... Being nice when those there other two kids wasn’t.

(Lights goes off down stage right off Chenzira)

 

Act 4, Scene 3

 (Lights come on down stage left on Mugabe, still sitting in the chair now talking to himself)

ROBERT MUGABE

Where are you were could you be, I told that little boy I would help find you. I’m sitting here saying little boy and I forgot to ask his name.

(Light goes off right stage off Mugabe)

Act 4, Scene 4

(Sun Set Lights: Lights turn on down stage right on Chenzira in the dumpster. Still talking to the bottle in his left hand whispers)

CHENZIRA

Warrior,

(Back to regular volume when talking)

That’s what his name means, I can’t get over it that I never got the chance to tell him.... but how could I forget I saw him everyday..., good kid, good kid.... So how would you help me, … us, the people of Zimbabwe...Or when are you going to start getting back some of the money? Or When you see these things does it remind you of your childhood?.....Yea

(Slightly shaking his head up and down)

Stuff like that I would ask Mugabe, if I saw him.

(Light goes off down stage right off Chenzira. Curtains close.)

 

Act 4, Scene 5

(Curtains open:Lights turn on down stage left on Mugabe who is now taking to the audience. While moving his hands as he talks)

ROBERT MUGABE

See I would help the people fix everything; I’m not such a bad guy. When I look at Zimbabwe now, it brings me back to my childhood with those hard tough days. All the things that were the hardest. I remember waking up feeling like I lost, lost what?...lost, lost like I was losing at life. Then I realized you only lost when you think you can’t win. So I put all that negative thinking aside....

(Talking/Yelling out to stage right)

See nobody, not a near single man or woman from Zimbabwe has to feel like they lost.

(Light goes off down stage left off Mugabe)

 

Act 4, Scene 6

 (Lights come on down stage right Talking/Yelling out to stage left)

CHENZIRA

 

So make me feel like I won.

(Chenzira stands up and all the bottle fall to the bottom of the dumpster. He reaches in his right pocket pulls out Mugabe’s cloth and throws it to down stage left. Then falls to the bottom of the dumpster and he stops breathing. The lights fade from Chenzira side of the stage as the dumpster is being taking away being pulled into the right wing to exit.)

(Mugabe stands up and spots the cloth, he picks it up holds it in both of his hands and outs it over his heart. Then the lights fade off of him, stage gets dark and he exits throw the left wing. Curtains close)

Act 5, Scene 1

 (Curtains open:Night Time lights with one big shinning starts: Gamba walks bout on stage entering from the left wing. He then starts walking slowly to down stage center. With Chenzira’s dusty dirty bag of Salted Groundnuts. Gamba is rubbing his thumb back and front on the top of the bag as he sighs and begins to open his mouth and is hesitant to speak. He sits on the ground, and then he slowly brings his knees up to his chest and wraps his arms around them. Tilts his head to the right slightly frowns and exhales and looks up a the night sky.)

 

GAMBA
Whoa is that a star?...I think it is, I never saw one start in a night sky like that before until now.

(Gamba stops looking at the sky, then more stars appear in the sky, and Gamba gives a slight laugh under his breath)

It’s so beautiful, got that twinkle to it. Reminds me of the way my Zimbabwe use to be. My land, are land,

(Picks up some dirt in his left and lets if fall out)

This land. Now you have to fix it, we have to fix it and we will fix it. Let us not blame anybody for it now. We come together. I don’t wanna wake up with my face in the dirt of a blanket dat I don’t know who it belongs to. I want my home and I know you do too. My family live wit nothing now. And you think I want you to feel sorry for me, no. I want you to help us to find somewhere to live. My grandpa use to tell me stories and even though he use to drink too much I never gave up on him and now he’s gone but I saw that paper he wrote, had that crazy writin’ of his...it said you’re a warrior Gamba.

(Starts to cry a little)

Guessin’ he wrote it for me an left before he hand the chance to put it in my hand, but good think I found it right.

(Stops crying and sniffles three times.)

I didn’t know how he saw that in me. Then I look and I never stop thinkin’ no given up. Thesedirt roads need not have people on them in the night or the day. These roads

(Stands up and walks down stage right to down stage left as he speaks)

Are not for the feet of newborn babies or for the feet of my brothers and sisters or for the feet of the older. It is feet for

(Screams)

No one!

(Back to regular tone of speaking)

No one. So Mugabe and all da people of the land are goin’ to work together to fix this land no matter how long it takes. Give me food, give me life...Who am I you ask....

(He walks back to down stage center, stops and looks at the crowd, and pick up the dusty dirty bag of Salted Groundnuts and shakes it to every words he says in the last sentence.)

…..I am Gamba, so, Chenzira say, I...am...warrior.

(Puts head down as light fade out and turn off on the stage and curtains close.)

   

Act 3, Scene 3 Video of the character Chenzira played by Manna

Footprints Arent The Only Thing Left Behind In Zimbabwe
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Who's world is this? - By Jesus Jimenez

Posted by Jesus Jimenez in World History - Block on Friday, April 8, 2011 at 1:51 pm

​

Characters

 

Charles - A host of a late night talk show. He’s a male in his 40s, mild-mannered, funny, knows when to be serious about things.

 

Ellen - A young 15-year-old girl living in Arizona. She has a rebellious mind and talks to her stuffed bear.

 

Subcomandante Marcos – Spokesman for the Zapatista. He is a rebel and a philosopher; he fights for the rights of the indigenous people in México.

 

Javier Garcia – Mayor of the fictional city of Monte Negro. He is a man with power and is disgusted with the rebels in his city. He has a soft side for his family.

 

Inez – A young indigenous girl in Chiapas, she talks with her doll when she wants to understand something.

 

ACT 1 – Scene 1

 

(Charles enters stage, fixes himself up while looking and the audience. He begins to talk to them in a friendly, yet assertive voice.)

 

CHARLES
Hey everybody! How has your day been? ... Well, today I was on CNN and you know, I started looking through the news... I read this article that my friend sent me, it was about the prime minister of India. He’s been accused of scamming around $31 billion dollars from India’s treasury. Anyway Prime Minister Manmohan Singh says he’s innocent, and it got me thinking.
   Don’t we hear about things like this all the time? I mean, it’s either companies or governments that always do this kind of crap. Now, I’m not blaming the prime minister for what he might have done, but the average person has developed this... thought, a thought about governments and companies having control over humans like you and me. It makes people seem insignificant.

 

(Looks down at the floor to ponder a moment, start looking up as he starts talking again)

 

Here’s another thing I want to say: People don’t stand up for themselves!

 

(He starts talking more aggressively)

 

If people fought united for a cause, anything, I bet they would achieve their goal and it would benefit mankind. You might be saying “Well Charles, aren’t there organizations trying to benefit mankind already?” Yeah, but I’m not talking about getting a signature from a lazy citizen who sits on their ass all day, supporting a kid in Africa by sending monthly payments.

 

(He talks a bit more calmly, with a sentimental feeling)

 

That’s not help, that’s financial aid!
   There are some people who stand up for themselves... um....

 

(He does a hand motion as if he was remembering something)

 

The Zapatista! Who knows about them? ... A few of you might...

(He looks away from the camera)

Do we have any pictures of a Zapatista?

(A picture of a margarita appears for the audience)


No! A Zap-A-Ti-STA! Not a Margarita!

(Picture of Subcomandante Marcos appears for the audience)

Anyway for those who don’t know, the Zapatista are revolutionaries, doesn’t mean they go shooting up every other place they go to... they only use their guns for self-defense. * They’ve never attacked first. Their goal is basically make it a fair game, not only for the indigenous people they’re helping, but also for all of Mexico. The indigenous people they’re helping have the same trouble as many indigenous people in any country, adapting to the new world. Just like when your mother-in-law moves in with you...

 

(Shrugs)

 

It’s tough! I’d start a revolution too, if she ever came back!

 

(Shakes fist in the air)
 
Anyway, Corporations and governments take away their land, and indigenous people have a hard time being looked at equally compared to the modern new world citizen.

Going back to 1994,NAFTA (North American Free Trade Agreement) was made to make a free trade system with Mexico, Canada and the United States. It was a great way to get Canadian bacon to your local Denny’s.

 

(He gets closer to the audience/camera and whispers)

 

It’s HAM!

 

(Goes back to original position and resumes monologue)

 

But seriously folks, NAFTA came with its downsides. NAFTA actually ended up abolishing Article 27, section 7 of the Mexican constitution, which had the indigenous people’s land no longer protected by the law.

(Looks at audience with a serious look.)

Don’t you hate it things like that happen? Talk about a buzz kill... It feels like finding out you wet your nice clean bed the day you just cleaned your sheets by yourself. For most of you that was after you left moms house right?

 

(He squints and points to a random adult in the audience)

 

Yes, I’m talking about you!

Anyway back to the subject that’s one of the many reasons the Zapatista want fight for their cause. It’s funny... In other parts of the world, there are people that would want to have a modern revolution in order to help people and change the way their government works. Here in this good country, we complain about EVERYTHING and are either too frightened or too lazy to do it, and expect one person, our president, to change the world for us. Last time I checked, America was the people’s country, not the responsibility of one man or woman. It’s us who have to revolutionize the world!

 

(He grabs a nearby chair, stands on top of it)

 

We the people of the world can unite and overthrow this super power controlling our world!

 

(In a louder voice, almost yelling)

 

For the world and for the human race! Freedom and equality for all!

(He steps down from the chair slowly, fixes his suit’s cuffs. Coughs and fixes his voice)

 

Ahem!

 

(He is clasping both hands together, in front of his chest.)


So I leave you with this thought, how are you making the world a better place?

 

 

ACT 1 – Scene 2

 


(Ellen is holding her stuffed bear is lying in bed with it, while looking up at the ceiling)

ELLEN
Hey bob! You wouldn’t mind listening to my rambling right?

(Gets comfy)

Great! Listen, don’t you think life is a bit boring? It’s the same thing, day in and day out, school, home, work. There’s no purpose. I want there to be a purpose for me to get up in the morning. I want to aspire for something; I don’t want to waste my life for 7 hours a day at school thinking I’m not contributing anything to the world!  I remember in history class, our teacher was telling us about people that made changes in our history. Many of them weren’t educated to begin with, but as we went forward in history there seemed to be a system developing. Men with fancy coats or suits and an education were the ones that had power, they took the spotlight from the other people I considered heroes, or innovators in history. Like they say, history repeats itself, and those same men in fancy coats are still here today, different names, and same story. Continuing the system passed down generation from generation.

Don’t get me wrong, school and life have its fun times. I love learning; it’s society I’m mad at. I don’t like inequality, or the idea of doing something just one-way. I don’t like the fact that you need to do certain things to be noticed or taken into consideration as a being in existence in this world. Why isn’t the world equal to being with? Our president is no different than you and me. His skin is just like ours, we breathe the same air, and we walk on the same earth.

There are people in other countries where equality is being challenged. I remember learning about some American Indians losing some of their land here in Arizona... this whole discrimination thing happens even here in the US. Are indigenous people any different than you or me? I don’t think so, then why are they disrespected? Why are they considered outsiders compared to the “average citizen”? What makes them so different? Are we just jealous because they were here first? There are just some things you can’t learn in school...

 

I’m not looking to join some organization or group, I want a way, a method of being able to change the world and make it a bit fairer for those who are discriminated. I wonder if there’s anyone like that in our world. Heck, I’d join them. Better than trying to let some predictable politicians do it...

              (She falls asleep for a little while, she wakes up after a couple of seconds or so)

I’m not tired! I have to stay awake, Bob; my favorite stand up comic is going to be on in a while.

(Flips herself around in the bed)

 

I wonder how Dora feels about this. The whole inequality thing I mean. She’s been my friend since forever! Her mom brought her here when she was little, and they’ve been living in the US for a long time. There’s been a lot of talk about immigration recently, I know that her mom’s an illegal immigrant, I’d be worried if the government was trying to get rid of my mom from this piece of land I call home!

Jeez... to be put under that much pressure everyday. I’ll have to look into that more, Bob. Take note!

 

(Ellen starts pacing around her room)


Ready? AHEM! Note to self: Research some stuff about helping not only undocumented people, but people who are discriminated and do something about it!

(Jumps to her bed and starts watching TV, Points remote to TV and yawns.)


That’s all for today Bob, I’ll reflect tomorrow morning I’m tired and now, time to watch my favorite late night show.

 

Act 1 – Scene 3

 

(Subcomandante Marcos is writing in his journal, during his 2006 campaign throughout México, he is sitting down on the back of a truck, he speaks his thoughts as he writes)

MARCOS

May 3, 2006

it has been a couple of months since this campaign started, it’s been a brutal quest to find friendships and respect.

As I walk in the same territory as my adversaries, I’ve not only encountered people who might be against our ideas, but people within their system who support us.

They encourage us to bring peace to this land, which was once governed by actual people, not blinded bats seeing only power and money.

We want to bring peace not only for our indigenous brothers and sisters, but for the many different people who inhabit this place we call home.

Human discrimination has been a sin inside us for many years, like a dirty jewel, once clean and lustrous, then smudges and unable to be returned to perfection.

Many of us have been discriminated at one point in our lives.

Whether it is because we are homosexual, male, female, or we support a cause, it is our duty to unite... and stand as one.

This is why I’m on this long lasting journey.

I thirst for the feeling of synergy and justice.

I wish for the term “inequality” to disappear for every single Human being on this Earth.

I want to take the pillars that make up this capitalist world, and take it down.

Then rebuild it...with the thought of everyone in mind, and the every other person out there.

(Marcos stops writing; he looks up at the sky with longing look on his face)

 

One day...

 

Act 1 – Scene 4

 

(Javier looks out of the window in his office. There is a protest outside; he stares at the massive group of people.)

JAVIER

Look at all those people... they have no idea how dimwitted they look like. They’re acting like savages. That’s all they are, savages! They know nothing about how this world runs, and how hard it is to maintain it the way it is. Complaining won’t fix anything.

(JAVIER Walks away from the window sits in his desk)


They always come here to city hall and protest. Yelling won’t help you at all... they’re always complaining about the same thing too. They want equality or whatever fits their standards these days...

 

(Raises his voice)

 

They can’t have equality!

 

(Slams his fist on the desk; he hears the chanting going on outside, Javier calms down. Speaks in a more calm tone.)


It simply can’t be done. Not everyone can be equal... that’d take...CENTURIES!

They don’t know how much malice I have towards them... I’d take this desk and throw it right at them if I could, but that’s probably what they want me to do. It’s too much effort to satisfy these people. It’s like talking to stupid kids!

(Pauses)


Unfortunately it’s my job as mayor to keep city alive and running. The only thing standing in my way of doing that job are those people out there. They’re my problem... unfortunately. I put too much work into trying to suit their needs. It’s taking time away from my responsibilities...

They’re keeping me away from the only time I have with my kids. As much as I am the mayor to these people, I’m a parent to my children, my wife’s husband. I don’t wish to act so brutal against these people. But I have priorities. They do not understand this game we’re all playing, this game of life.


                        (Sound of door opening in the background, Javier doesn’t bother looking.)

No Sandra, I don’t want anything. I’ll be going home in a bit... thank you anyway. Why don’t you leave early today? It’s good to be at home with your family while you still can.

                           (Javier goes back to talking with himself)

They’re walking around, causing mischief, just because some people get treated differently than others. All you have to do to be part in this world is get a job and be part of the work force. Anyone who doesn’t participate in the way this world is supposed to work can go rot and die by their own means. That includes any rebels, “indigenous” people, or any other hippie out there.

                       (He keeps staring. Thunder noise in the background, it’s beginning to rain)

Oh my, it’s starting to rain. I better get going. The scene will look more violent in the rain. The weather will take care of them though. But they’ll be back the next day, and the next. There’s a never-ending feud between power and people. To be honest, one can’t live without the other, I have a responsibility for these people, not all of their demands can be met, but without them, my job is meaningless. Without them there isn’t anything for us to control, or to “dominate” as they say. We all have a good person inside us all; some of us just chose to be the way we are because of what we do.

It comes down to this raging protesters, I could care less if we both hate each other to the bone. But I look at my daughter and care so much; I hope she never has to see the tainted world we live in.

 

Act 1 – Scene 5

 

(Inez is looking at the Zapatistas; She’s holding a doll made of various cloths.)

 

INEZ

(To her doll)

Hey, do you know who those people are?

(Pauses)

I don’t have a clear answer either.
Why do they wear those masks, most importantly, why do we cheer for them?
Papa started wearing a mask like those people. They all talk about things like equality, and justice. Things Mama says I don’t understand yet.
One day I asked Mama about the men with the masks on. She told me there are people who want to change the rules of how we live by. Mama kept talking. She told me about the “government” and other words I couldn’t understand. One of them was “revolution”.
My Mama said that they want to be like a man that was in a revolution a long time ago. That man fought for people who couldn’t defend themselves and wanted things to be fair. “Zapata was his name, and this legacy he left behind are the Zapatistas” Mama said.
Are the masked men fighting for the same kind of “fair” Emiliano thought of?
Are they fighting for the same reason my friends and family are fighting for?
I’m young; I won’t understand anything for a long time, Inez, that’s what everyone tells me. But what I DO know is that when the time comes, I’ll know whether it’s worth it to put a mask on my face.

Movie Tyler Marcos
Tyler as Subcommandante Marcos from scene 3.
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Joey Wood Monolgue project

Posted by Joseph Wood in World History - Block on Friday, April 8, 2011 at 1:33 pm

Tags: humanrights, monologueproject
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The Final Project

Posted by Sophia Henninger in World History - Block on Friday, April 8, 2011 at 1:24 pm

The Final Project

Monologues


Characters:

Joshua Bartlett - 24 years old, American college student.

Gabriel Johnson - Late forties, white. A legal advisor for Nike Incorporated. 

Teenage Boy - Boy, around 16 years old. Wears Nike shoes.

Pakistani Boy - Boy, around 10 years old, worker in Nike factory.

Pakistani Woman - Pregnant woman, maybe 6 or 7 months. Husband works in factory.

News Reporter - Female news reporter. (Only audio)


Scene 1

Male, probably around 23 years old. Standing with a camera pointed at him, obviously directing his attention toward the camera. Somewhat nervous but also excited.

Joshua

.. Uhm.. Hi, My name is Joh... Wait, Is it recording? .. Oh okay.. I just didn’t see the light, ya know... Let me start over then.. Uhmm… Are you sure? I still don’t see the light... Okay, Sorry, Dude, I’m just nervous.. Hooo. Okay… 

(say this very quickly) 

Hello, My name is Joshua Bartlett ah-and this is my documentary project for.. Damn! That was too fast… Okay. Seriously, I’m going to do it this time.. Hoo.. Okay.. Yo, I’m Joshua Bartlett and this is my fin... Did I really just say “yo”? Shit. Hold on.. Give me a sec, I got this 

(Stands up straight, straightens shoulders, smiles) 

... Hello, I’m Joshua Bartlett and this is my final project for world economics. For this video I’m going to attempt to discover the truth behind Nike’s labor conditions. And under my circumstances I’ve actually been able to travel to various places and countries to try to find answer from people who’ve dealt with this firsthand....

(Waits a few seconds then stands normally again)

 Whooo. That was good right? Woo!

(Jumps up, smiles. Quickly simmers down again though.) 

Oh, I mean .. Yeah. That was cool. Are we good? .. Thanks. So, we can use that?.. Great... Are you ready for this? Like we’re about to go to all these places. This is gonna be amazing. Seriously, amazing…


Scene 2

Nike Executive. Older, white, male in suit. Seems rather uninterested and is speaking frankly. He is alone behind a desk but apparently speaking to someone and answering questions. The name card on his desk says Gabriel Johnson. 

Gabriel Johnson

…Our code of conduct is accessible by anyone with Internet access and it states that Nike Incorporated will employ no one under the age of 16 or one who is unwilling to work. We do however employ contractors over seas to manage our factories. If you read our code of conduct, it says, word for word, that we expect the contractors to follow this code and it’s common knowledge that expectations are not always met. Nowhere in the code of conduct are the contractors required to truthfully report that the factory is following the code or to report that their employees are satisfied with their working conditions; though it is, once again, expected to be reported to Nike Incorporated openly. All businesses operated by Nike personally follow this code and that’s what it controls. Nike cannot completely control the foreign factories due to an issue that has already risen; the factories are not required to give employee reports and even if they did, there is no way for the reports to be proven legitimate.

(Pauses. Face changes to serious and interested. He moves to a position that seems less robotic and more like a person would naturally sit.)

Can I say something? Man to man?.. Okay. Personally, I mean just my opinion.. This is no way reflects the company but, I know what those contractors do and I’m not a fan. Kids shouldn’t work, trust me, I have 3 kids and I’d never want them to have to do anything like that. But.. This is my job. This company pays me to represent them when people like you wanna know why we employ these contractors. We do it because it cheap, but I’m not lying when I say we have difficulty monitoring them. Plus, you and I know that making sure they didn’t mistreat their employees would take money. And you really think the big execs wanna give up any of their money? No. They’ll do anything for that extra penny. I don’t agree with that, I know there’s more to life than money.. But I also know that I need the money they pay me to put my kids through school so they don’t have to work. So, no, I don’t agree with Nike’s decisions .. But I’m just doing what I need to do to get by…

 

Scene 3

Teenage boy in city setting. Happy, excited. Speaking to someone and answering a question. Standing.

Teenage Boy

…Oh, dese kicks? Oh yeah, dey nice right? I just got dese fo’ like 80 bucks, nice righ? ‘N’ since dey white I gotta, yuh know, keep ‘em poppin’. Yuh can’t step in puddlez erh nothin’. ‘N’ deff don’t be playin’ no ball wid ‘em. Cuz’ den dey’d get maaaddd dirty. Ya just gotta shine ‘em up when ya take ‘em off and these Nike’s … Dey’ll be poppin’ fo’ months… Huh? Why I got tah know who made dese? I don’t know but dese ahr nice shoez, man… Kids made dese?.. Well, why dat matter? It wadn’t in Americur, righ? Cuz’, now datd be drawin’. Buh, don’t dat only happen in dose pohr countrees? And dats jus dem kids tryin’ tah make a dime. Like, maybe dey shouldn’t have tah work like dat but.. If dey don’t work… Who gunna make mah shoes? 


Scene 4

Young boy in Pakistan. Speaks broken English with an accent. Works at a Nike factory. Was walking down a busy street but is stopped to talk to someone. Not very emotional but some distress can be noticed.

Young Pakistani Boy

Yes, I work at Nike factory. I make footballs. I need job becus Mama es dead. Papa es drinking. I leave home for safety. I need to leave. I be worse now if not... I work for dollhar for food and water. For evry day I werk I ghet 2 dollhars a day for work. 2 dollhars es not much bhut.. bhut it es better then nothing. Before I leave home, Papa send me to work. He say, “You man. Man work. If live here, you need pay for you. You pay for your food, I pay for my food.” I not want work then. I want play with friends at school... That why I leave. My 2 dollhars buy me no food. My 2 dollhars buy Papa drink... Work is difficult. Very tire. I sleep after, always...Hmm? Yers?... Yers... Ah! Yers, age. I 10 yers.  


Scene 5

Joshua sitting casually at a table. Josh is speaking casually to camera man(not seen).

Joshua

Dude, some if this stuff is .. it’s crazy. Like that uhm.. What was that guy’s name? ..The Nike guy... G something... Gabe! Right, Gabriel Johnson. Yeah, that was so weird, like, he was telling us all this bullshit and then he just.. Told us.. everything, kinda... That’ll be great for the project... haha, that kid was so hype about his shoes. That was funny, dude..

(Glances at watch)

Shit! We gotta go. I asked this one woman if we could talk to her.. Apparently her husband works at one of the big factories..


Scene 6

Pregnant woman in Pakistan who speaks broken English. She sits in front of fireplace. She’s tending the fireplace but her attention is divided between it and someone who she’s talking to. She’s talking casually. 

Pregnant Woman

...No, I do not work. Most work is difficult because of this.. 

(lightly pats belly and smiles.)

I like work.. It’s not fair. I sit and my husband works.. I want work too.. We need it, he does not get paid many at factory. Only 3 dollhars American for his work a day... And his work very long.. Dinner es cold when he home... 

(tone starts to shift into a more annoyed/uneasy tone.) 

..It bothers me much. I worry for him. He work many hours at factory. When he get home he pass out. Not even get in bed... 

(aggravation/distress is clearly noticeable now)

..Why do they treat  people bad? These are people. They are trying to make dollhar for families.. How we gohin’ live wif 3 dollhars?!


Scene 7

Joshua is walking on a crowded street in Pakistan. He is making his way through the people while talking to who’s holding the camera. Mostly in a venting type way.

Joshua

This is ridiculous! Actually ridiculous! How could people act like that? Just treating people like shit? Just because they want another 10 dollars to go with their 10 million?! Like what the fuck is that? … You know what.... We’re going to the factory. We’re going right now. 

(starts walking vigorously. He sounds determined.)

... No, but we’ll find it. Ask people or something. I don’t know! But we’re going there! Someone needs to stop these assholes! They can’t just do this. Who do they think they are? Don’t they realize these people have families? These people are children. These are people. People... What the hell does all this civil rights shit mean if these Nike can treat these people like slaves?!.. I don’t know, dude. But we gotta do something. We can’t just sit here. There are hundreds of people who might die because they can’t afford a bowl of rice because some greedy CEO’s want all the money they can get their grimy hands on. I’m not about to just sit back and watch it happen! I’m not!... 


Scene 8

Joshua is yelling at someone through a door. He is furious and bangs on the door in frustration.

Joshua

Let me in! Open the fucking door! I just want to fucking talk to someone!

(Hits door)

Let me in!.. I have the right to talk to you! Open the god damn door! … 

(Walks a few feet away from the door, hands on hips looking down, extremely frustrated. Then suddenly turns back around and runs at the door. Hits it again.) 

You’re breaking the law! Let me in! These are fucking people, not useless pieces of shit. Why?! Why are you treating them like shit?! They’ve been in there for fucking hours, no breaks, no water, and for what? Three fucking dollars?! You want money for yourself?! 

(Takes out wallet, pulls out a few bills, and throws them at the door)

Here! Take the fucking money. Don’t you feel anything? These people are dying in there.... You know what? Just fuck it.. 

(Begins to walk away, looking defeated, walks off stage, lights slowly dim but suddenly flash back on fully when Joshua runs back and rams the door with his shoulder, door opens and Josh runs through. Stage black.) 


Scene 9

Newscaster reporting story is heard. Three chairs, one small stool, on the stage. (One is a big comfy chair, good condition, next is a small stool, next is an old folding chair, last is a lazy-boy type and worn condition) One TV in the center/front of stage, facing the chairs. Light is only on the TV.

News Castor

Breaking news from Pakistan today with reports of a riot in a factory, allegedly owned by Nike, that lead to 5 deaths and several other injuries. 

(Light on the small stool, now occupied by the pregnant woman, intently watching) 

One of the 5 people who died in the rally gone wrong belongs to an American citizen,

(Light shows on big, worn chair with the boy sitting in it. He’s not paying attention and it wiping off white shoes with a napkin.)

 Joshua Bartlett, 24, who happened to be filming a project on the labor conditions of Nike factories

(Light on first chair, where Gabriel Johnson is now sitting, leaning forward in his chair, intently listening). 

He went to the factory in search of answers, only to find the working conditions worse than expected. Enraged, Bartlett began yelling and eventually coerced the workers to rebel against their supervisors in an attempt to secure their rights as human beings. The rebellion turned violent as the upper management had weapons and turned them on the workers. 

(Light on the folding chair, empty at first but then an obviously inebriated Pakistani man plops into it, holding a bottle on liquor. He stares at the screen with a glazed look)

Also among the deaths were two adult men, one woman, and a young boy, all workers at the factory. Most of the battle was caught on camera by a young man traveling with Bartlett, who was only injured. This footage only confirms previous rumors of Nike’s mistreatment of workers in the third world and a law suit is expected in the upcoming months...

In other news, a fi...........

(Trails off, still heard at a low volume.)

Once there is silence, the American boy finishes wiping off his shoes, put them on and walks out. Lights out on his chair. The pregnant woman just blankly stares at the television as tear silently fall from her face and she rubs her pregnant belly. Lights out on her. The drunken man is obviously sleeping, snoring loudly. Lights out on him, he’s silent. Gabriel Johnson stares at the television. Fists and jaw clenched. He stands up goes to the TV and turns it off. Walks off stage. Lights out.


The End




Video of Scene 1:

TFP_Scene1_Henninger
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Trosario Jade Jewels

Posted by Taina Rosario in World History - Block on Thursday, April 7, 2011 at 9:40 pm

Jade Jewels

By Taina M. Rosario

Ty-lee Siang- is a Japanese girl, age 16. Has black long hair, green eyes and curvy (causing men to want her). Her parents were poor. She sings like and angel and her Best friend is Matsuri.

Older Ty-lee- grey haired, cane, but still graceful

Mameo- runner of the Okiya, older woman, with a pipe, grey hair, but still fiery

Matsuri Khan- is a Japanese girl, age 18. She has short black hair, brown eyes, and an athletic build.

Hikuro Dashai- a young Japanese doctor, who falls for Ty-lee, but is betroth to Metsuki. Age 22

Sora Bien- friend and colleague of Hikuro, who does not like Ty-lee, loves Hikaru (like a brother), but wants Metsuki. Age 23

Anamora Kyuu- a geisha, who is in love with a woman. Is an enemy of Ty-lee at first but things change. Age 26

Mr. Fujioka- a lawyer, father of Metsuki, lust after Ty-lee. Age 45

Metsuki Fujioka- Daughter of Mr. Fujioka, Betroth to Hikuro, Hates Ty-lee, Small and not curvy, average looking. Age 18

 

Act 1, Scene 1

 

--- An older Ty-lee sits in a chair with a desk in front of her as she writes onto a stack of papers. She reads the story out loud as she writes along  ---

OLDER TY-LEE

My name is Ty-lee Siang and I shall tell you the story of my long past, so that you may know how proud I am to say that I am here. When I was about nine years of age, my mother died of a sickness unknown to my father and myself. Once my mother had died my father fell ill. There were no others in my family that could work, so we fell into dept. One day as I tried to cook a meal for us a horse and carriage pulled down the road stopping in front of our house. My father went out to meet the man that hopped off the drivers seat.

(Slight pause, deep breath)

I could not hear their conversation but saw their lips moving. My father pointed into the house and called my name. As I walked out the man . . .

(voice filled with distaste)

gripped my arm within his grisly and filthy hand. He pulled me towards him, moved my disorganized hair to get a better look at my face. He looked at my father with a crooked smile as he said that I would be perfect.

(Desperate emotion)

I screamed for my fathers help

(Exasperated sigh)

but he simply collected the money he had sold his only daughter for. I yelled and kicked, trying to fight my way from the man, but I was . . . Not. Even. A. Threat to his massive form. As he threw me roughly into the back of the carriage I watched my life slip away.

(Strained voice)

I didn’t know if I would ever see my home again. What would become of me? Where was I to go? Or why my father would do this to me?

(The woman places her head in her propped up hands as she sobs softly)

 

Act 1, Scene 2

 

--- A teenage Ty-lee lies on her stomach on a Japanese floor bed as she scribbles into a notebook. She talks to herself as she writes furiously ---

TY-LEE

I cannot stand this place.

(Sucks teeth)

It’s horrible here. ‘Mother’ does not let me leave the Okiya, the house in which she keeps me and the other girls. The only person I have is Matsuri Khan she so sweet and quiet. She has been here longer than I have, almost since birth, while that

(spits the word)

man brought me here five years ago when I was nine. I never expected that I was going to be sold into being a Geisha’s slave. (Anger)

It’s not fair they force me to care for Anamora Kyuu, she is the leading geisha yet she has the worst attitude.

(Stands up and paces back and forth while writing, hisses with the idea)

I should tell ‘Mother’ I know that Anamora has been sneaking around to see a woman. If only ‘Mother’ knew, Anamora would be punished.

(Matter-of-factly)

Not only are geisha forbidden to fall in love but also how would it look if a geisha fell in love with a woman.

(lies back down, no longer writing, day-dreaming face, wrings ands together)

 Maybe I should tell her? ‘Mother’ would certainly promise to let me study to be a geisha, and then I could pay back my fathers dept and leave this horrid place.

(Head perks up as if name called)

(Rolls eyes, groans)

I’ll be right there Anamora

(unhappily stands, sighs, and hurriedly hides notebook, then rushes out of the room.)

 

Act 1, Scene 3

 

--- Hikuro Dashai paces back and forth in front of his colleague and friend. ---

HIKURO

When I was walking down in the market I saw the most beautiful girl.

(Pauses, then annoyed voice, looks over at Sora)

Sora don’t Hikuro me, she was amazing.

(Calms down)

I looked at her face; it was snow white with dark red lips. With in this one glance I looked up into her eyes.

(Sighs contently, runs hands through hair)

They were unlike any ones I’ve ever seen. They were green like jade beads. She was stunning. I must meet her.

(pauses, rolls eyes, turns away)

Tsk I don’t care if she can’t fall back in love with me.

(turns back)

What makes you think she is a geisha?

(pauses, angered face)

 So . . . that makes no difference to me.

(pauses, Slumped shoulders, Pleading)

 Sora come on you did not see her. You did not here her laugh. (Day dreaming sigh)

She was gorgeous.

(Pause)

Well no, but I,

(interrupted pause, hands turn upwards while near face)

But it

(interrupted pause throws arms downward in anger)

Damn it Sora just listen to me. I don’t care. Even if she is!

(pause, sits down listening, disappointed)

I know that I am supposed to marry Metsuki, but this was the kind of girl you could grow old with.

(puts head in hand while resting them on knee, pause)

Ok maybe I am a bit love stuck but who know what could happen?

(pause Stands up quickly)

Yeah I might not see her again

(crosses fingers behind back, slings other arm around Sora, and leaves the room)

 

 

Act 1, Scene 4

 

--- Mr. Fujioka, with his acquaintance as they sit and drink in the company of Anamora, Ty-lee, and Mameo---

MR. FUJIOKA

My dear ladies

(the three women come around and serve them saki)

How are you this evening.

(pauses, Looks directly at Ty-lee)

Mameo who is this delicate young flower in my presence?

(Pauses for Mameo’s response)

Ty-lee you say? I would enjoy in hearing her play the shamisen. She must be a wonder at that.

(Waits as Ty-lee goes up, Whispers to Mameo as Ty-lee starts to play)

She is most phenomenal, with those green eyes. She has a lot of earth in her soul. Has she completed her training yet?

(Pauses, face saddens)

I see she is still in training

(Forced pause a smile mixed with realization spreads across his face)

Ah, she has a mere two moons left. Will you be having a coming out Gala for her?

(Pauses as he takes a swig of his saki while gaining a response)

Please add me to the invitation list.

(medium length pause, Sits in awe as Ty-lee sings to herself yet is heard)

My, my, the earth in her soul has blessed her with the voice of an angel.

(Pause, he is tapped on his shoulder leans towards his acquaintance, listens to his aquaintance)

I understand

(stands up on his way to leave)

My dears I am disappointed to say that it is time for us to be leaving

(Walks over to Ty-lee, who stands up and bows, he bows in return talking her hand, smooth soft voice, almost sultry)

I will see you again soon, Ms. Ty-lee

(kisses her hand puts on his hat, and over-coat)

(walks out of the room while whispering to his acquaintance with determinacy)

I will have her. 

Act 1, Scene 5

 

--- Metsuki sits in her room, in front of the vanity as she brushes her hair --- 

METSUKI

(knock is heard)

Come in

(looks towards the door pause)

Ooh Hikuro, what a pleasant surprise.

(walks over, switching, and seductively wraps arms around Hikuro, pause)

But I don’t want to let go.

(pouts as her arms are removed, pauses)

So did you come to visit me or is there

(lies on her side on the bed)

something you want?

(Sits up quickly, pauses)

Well then, what is the big thing that you need for us to talk about?

(Crosses arms over chest, as she looks at Hikuro with judgmental eyes, pauses)

(Speaks with annoyance)

Very funny Hikuro,

(walks over to vanity short pause, asks softly)

Now what was it you really came for?

(Pausings while listening, Starts to brush hair again as she grows angrier)

(Turns towards him as she sit in her chair)

What do you mean you aren’t joking. You have to marry me! We have already told all of our families. You are not leaving me.

(pause, Starts to cry)

How dare you, try to make me feel better.

(Throws brush at him)

Get out, get out now. There will be a marriage.

(Hikuro quickly walks out avoiding other miscellaneous objects, Metsuki - deep breath from being furious)

Even if I have to drag you there my self you will marry me Hikuro Dashai.

(Pause, yells very loudly)

DADDY!!!!!

(Throws more stuff, knocks over her vanity, causing the mirror to break.)

(Yells again, while crying)

AAAAAAAHHHHHHH!!!!!!

(throws herself on to the bed, as her father walks in. He sits on the bed with her)

(muffled sobs, Looks up with a tear stained and make-up ruined face)

Daddy it isn’t fair, it isn’t fair

(Pauses)

Hikuro is what happened.

(Pauses)

He doesn’t want to marry me Daddy.

(Angrily)

You promised me that I could marry him.

(Pauses, Tantrum, points a finger at her father)

Give me what I want or I’ll tell mother about you going out with you friends to see geishas, when you should be going to meetings for work.

(Pauses, as her father starts to leave)

You had better try Damn it.

(Places her head back down on her bed.)

 

Act 1, Scene 6

 

--- Mameo sits in her offices, with a pipe in her mouth, sifting through paperwork ---

MAMEO

(a knock is heard, Mameo does not look up, but mutters)

Come in

(pause to listen while still looking through papers, looks up, removes pipe from mouth)

What do you want Matsuri?

(places pipe in listens, takes pipe out interrupts with a loud voice)

Speak up girl I can barely hear you.

(places pipe back in, pause to listen, takes pipe out, aggravated)

Grief child, that is all you bring, give me the damned letter.

(snatches the letter that Matsuri has in her outstretched hand as she bows, speaks around the pipe)

Now leave me. Wait

(takes the pipe out, stands up reads the front of the letter)

Send Ty-lee here.

(Matsuri leaves, Mameo opens and skims the letter as she holds the pipe in one hand and a shocked look spreads across her face. Ty-lee walks in and bows)

(Soft loving voice)

My sweet girl, there has been a bid for your precious young flower.

(pause, Laughs softly)

Your virginity my dear.

(Pauses while listening)

Why Mr. Fujioka, he was the highest bidder. You must go to him tomorrow,

(puts pipe on the table, excited, rant as she looks through a dresser)

I will let you wear my most sacred Kimono. It is white with a soft sakura bud design flowing across.

(Interrupted pause, disbelieving soft laughing while saying)

What do you mean you do not want to give him your virginity?

(Pause, listens, face grows hard and cold)

How dare you, you insolate little girl. He is a patron and is paying for this?

(Furious anger, as she grips Ty-lee by the arm)

What would you rather GIVE

(shakes Ty-lee vigorously)

your virginity away to some poor fish market worker who is not worthy of you?

(Throws Ty-lee to the floor, then points at her)

You will go to him tomorrow. Now leave my sight before I punish you for your disrespect.

(Sits in her chair with a slump position, as if from the stress, places pipe back in, takes a puff and lets out a long sigh)

How could she repay me like this, I made her the geisha she is today. Just another ungrateful girl just like Anamora

(sighs to herself as she goes back the looking at the paperwork)

 

Act 1, Scene 7

 

--- Ty-Lee sits at her desk as she writes a letter ---

TY-LEE

Dear

(scribbles the word, throws the quill onto the table)

Ugh, no I cannot do it. I cannot tell Hikuro what is to become of me. He will surely hate me forever.

(Places face in her hands as she sobs softly)

(Matsuri comes in, and Ty-lee looks up)

Matsuri, I cannot tell Hikuro that I have to give my self to Mr. Fujioka. What would he think of me? Surely he would not longer desire my company after I am no longer pure.

(Listens, a sad smile spreads across her face, soft voice) 

But he cannot love me so there is no chance that he does.

(Listens again)

Fine I will write to him but what should I tell him. If I was to say I love him, it would be improper

(interrupted, listening with wide eyes as she is stood up. Matsuri hugs Ty-lee)

(Ty-lee starts to pace back and forth as Matsuri sits on her bed.)

But what consequences would await me if I did tell him. I could end up like Anamora, alone on the street with nothing and no one. I could never risk

(interrupted again listening slight angered tone)

Of course Hikuro means a lot to me but

(interrupted, listens)

Fine I will right him, but I need you to help me tell him. What should I right?

(Listens intently as she sits at the desk again)

Fine, lets see

(picks up quill, and starts to write)

My dear Hikuro

(looks back at Matsuri, who nods her head, Ty-lee takes a deep breath and lets it out slowly)

Although we have only spent a mere few outings together, I feel that I know you.

(Dreamy and dazed voice)

As if I am capable of tell you everything about myself. I truly believe I am falling in love with you. I know that it seems crazy, inconsiderate, maybe even unbelievable, but it is true. When I sing at the bars I feel as if I am singing for you to hear me. Maybe even for you to find me and take me away.



looks up and out of the window as if imagining a different life,

(then looks down as tear well up)

But sadly I must inform you that the life I lead does not allow my love to be freed. By the time you receive this letter, I will no longer be the same girl you once knew. My last shred of hope has been sold away, for I am to meet with Mr. Fujioka in three days time and lose my purity.

(Sobs, as tears stain the paper, she gently tries to wipe away the tears with the tips of her fingers)

I apologize if the time I spent with you now feels wasted, but I can tell you that they were the happiest moments of my life. I promise that I will never forget you. Sealed with in this letter is my love – Ty-lee Siang

(she rolls the letter into a scroll and tries it also sliding in a small branch from a cherry blossom tree, that he had once given her)

Here Matsuri

(breaths hard as the tears roll down her cheeks and outstretches her arm to give Matsuri the scroll)

I need you to give that to him for me.

(she hands it over then places her head on the table as she cries more. Matsuri leaves)

(whispers to herself softly)

My sweet Hikuro, I am sorry



Video of me (Act1,Scene2)
ACT1,SCENE2
Tags: Jade, Jewels, trosario, world history
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Op Ed

Posted by Manna-Symone Middlebrooks in World History - Block on Wednesday, April 6, 2011 at 10:10 pm

​Beginning Defeated

 

 

 In every human being lies the animal like need to be controlled. Lions in a pride that are unsatisfied with or feel as though they can do a better job then the king, attempt to put him out of power. But, they soon figure out that the role they are not ready to take on the role they are fighting for. The Arab nations are going through a very similar situation. The eruption of civil war in the Arab nations is a war between the experienced and those who want new experience.

Tensions between citizens and their governments reached their boiling point when Mohammed Bouazizi lit himself on fire to express his oppression to inaudible government and nation. This eruption flowed into the already boiling surrounding nations and ignited the flame.  At this point there have been multiple protest, riots, and battles between citizens and their own government. War has erupted.  Revolutions have begun.

The youth of these nations have begun to speak up and out. Now that their voices are no longer silenced by repression, the thought would be that there would be widespread rejoicing. This is not the case. In interviews done by the New York Times, citizens spoke their feelings towards the revolutions and events that have been occurring. They spoke on democracy in nations where democracy is not apart of memories. It does not exist in the minds of the people. The rebels are fighting for something the majority of the population they are fighting for does not fully understand. This fight is one that citizens are entering blindly, fighting for a vague idea of freedom. They are fighting in incomplete contemplation.

Essentially, everyone is entitled to certain rights, especially those stated by John Locke in his work, A Letter Concerning Toleration.  This idea is not shared among all.  All people are entitled to the rights to life, liberty, and the pursuit of happiness. But, to pursue these rights the totality of the circumstances and full understanding must be made. Blindly fighting for things not completely understood, is beginning defeated.

 

“Historically an Arab has always lived in a tribal system…When you come up with the idea of a self-governing people, it’s a bit absurd.”

                                                -Ghassan el-Hakim, 26, director, Rabat, Morocco

 

Across the Atlantic and in Europe nations have been trying to decide whether or not it is in their interest to assist the coalitions in the feuding countries. Selfishness. In the U.S President Barack Obama ordered a bombing in Libya.

 

“Where ever people long to be free, they will find a friend in the United States”

-President Barack Obama

 

These words spoken on behalf of the same country that fought for the “no-fly” zone to be issued over Libya, and then detonated a bomb post the issuing. Obama also states that when assisting other countries we must always measure our interest over the need for action. Who are we to determine when some one seriously needs our assistance? Do we wait for our “friends” to be in the most destitute position? Or do we step in regardless of our interest? Selfishness.

Humans are animals that posses the need to be in some way controlled and care for self before others. Unsatisfaction leads to rebellions and revolutions. But, those are only successfully when what is being fought for is fully understood.
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Op Ed

Posted by Sophia Henninger in World History - Block on Wednesday, March 30, 2011 at 7:35 pm

Sophia Henninger

Op Ed

Big Business and Inventions


When you were growing up, didn’t you think by 2011 we’d live like the Jetsons? Didn’t you think we’d be beyond worrying about trivial things like what fuels our cars and homes? Of course not! But in 2011, we still worry deeply about what fuels our cars. Why? Even though we don’t have basic things like flying cars; we have things like microscopic computer processors. We have the technology to solve this problem, so where are the 1000mpg cars? Oh, they’re here but they’re not welcome. 

Though we have the technology for 1000+ mpg cars, they have yet to be seen on the public market. Maybe it’s just because no major car companies have produced them. That makes sense, I guess. But now Ford Motors has created a 300mpg electric/hydrogen hybrid and I don’t know about you but I haven’t seen any on the roads. The car is standard size and can go up to 85mph. It runs on a lithium battery until it depletes to 40%, once it hits this point it switches to a hydrogen powered fuel cell and with this change goes from 25mpg to 280mpg. Pretty neat, huh? But I still don’t see any. That’s probably because oil companies have made it just about impossible for any car that runs over 60mpg to be commercially produced. 

In the past, people have claimed to have invented cars that run 1000mpg, cars that run on water, and just about everything else. Most of these claims can obviously be seen as propaganda but a few claims do seem plausible. There is one claim of a water-powered car(it’s more like a dune-buggy but for the sake of the argument) by Stan Meyer. It achieved an amazing 100mpg but never became popular due to Meyer’s somewhat suspicious brain aneurysm at 57 years old. There are many theories that say oil companies ordered him assassinated, though that is unlikely, the fact is he created a water-powered vehicle that worked. That means we have the technology and it isn’t being used. 

The list goes on and on about other people who have invented things like 2000mpg cars and simple, emission-less, energy that have supposedly been killed by big time energy companies. These claims are probably propaganda but that doesn’t change the fact that even if the inventors death wasn’t the fault of the companies, they certainly benefitted from it. If these people hadn’t died or been put into jail, the companies would be in jeopardy of losing billions upon billions of dollars and in the past, companies like this have shown that they will do anything for another dollar and will go very far to do it. 

So whether these inventions are publicly available is due the the inventors misfortunes or companies preventing them from getting there or not, the truth is the technology to make them exists. This technology is available and we’re going to need it if we actually want to affect global warming and keep this planet able to sustain life.

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Op-Ed

Posted by Breeanna Noi in World History - Block on Wednesday, March 30, 2011 at 6:45 pm

​America is FAT. 


That’s not shocking at all. We have McDonald’s, Wendy’s, Burger King’s, and other fast food chains everywhere we look in this country. Why is that? Because the healthy food industry doesn’t have as many advertisements as the fast food chains. But now, fast food chains are becoming “healthy.” Truthfully, adding a slab of lettuce, a tomato slice, or two pickles isn’t healthy.


Those unhealthy drinks that now say fat free, sugar free, diet, no added sugar, etc. seem healthier now, correct? According to a source, they all translate into something much worse: Fat free, but full of sugar and chemicals. Sugar free, but they have increased carbohydrates. “Diet” but it’s going to give you health problems if you digest enough of it. Sugar free, because the original has more than enough sugar as it is.  


False advertisement? Let’s look at it like they’re enhancing the part that will attract your attention and leave out the part that makes it a lot worse than it actually is. 


Another factor in the unhealthy eating habits is the lack of access to healthy foods. Here, there are fast food chains within walking distance from home, but the next Trader Joe’s or Whole Foods is 30 blocks or further from home.


Naturally, we all make up excuses and compromise. “I’m going to get a Big Mac meal and a diet Coke,” “I’m walking 3 blocks to get food so I should reward myself with a Whopper.” You should reward yourself with something healthy. You’re getting a soda that is TWICE as sweet as the original Coke with the use of artificial sugar and a heart attack in a box. Not only is it bad for your weight, but it’s going to give you a lot of health issues in the future - if you even have one. 


It’s normal, right? 


Personally, I’ve done small tasks and have felt obligated to reward myself with chips. But the one thing my family is against are those diet products and the products that say sugar free on the label. Yes, we do our research and it’d be beneficial for everyone to do that. Of course we’re lazy and aren’t in the mood to exercise to stay healthy. So the lazy way of improving your health would be to eat healthier. 


How do we change ourselves? 


First thing’s first, don’t be mislead by those “healthy” labels in your favorite food. They are much worse than the original package. Now the message isn’t to stop eating your unhealthy foods, just eat a lot less of it. 


The government’s position in this crisis should be to make healthy food more accessible and raise the prices in junky foods. People get soda and other unhealthy snacks under food stamps. They should be aiding the people to be healthier. Raise taxes for junk food, make it less available, do something to save everyone from their lack of self control. Promote the healthy lifestyle to everyone and make it more affordable. 

Honestly, who is to blame here; You, your parent’s for raising you to be this way, the government, or society?


We are fools to fall for these foods and developing the habits or was it our parents? They are the ones who raised you right from wrong. If they allowed you to develop such bad eating habits, maybe they’re at fault. 


In recent health statistics, the weighted average of obesity in 28 different countries was 14.1% with the U.S. ranking #1 at 30.6%. That’s not something to be proud of. 



Tags: Op Ed, bnoi, History, Candace Blocker
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Op-Ed

Posted by Gabrielle Nigro in World History - Block on Wednesday, March 30, 2011 at 10:23 am

​Cruelty Towards Our Heroes

 

"Raise Officer Patrick McDonald, Badge #2831 as 39-Pat-8, please. Radio, 39-Pat-8… Radio, 39-Pat-8… Radio, 39-Pat-8. Radio 39-Eddie there is no response from 39-Pat-8. 39-Eddie, can I get a time check please? WPRW578, the time is 1:00 p.m. and the date is September 23,2008. 39-Eddie, from his Police family, our thanks for a job well done. Radio; take 39-Pat-8 off the board for the last time. Received, thank you. *EMERGENCY TONE* All cars standby unless you have an emergency. Attention all Police, all units be advised at 1:25 p.m. this date, the 22nd District has retired the call sign 39-P (Pat)-8 for the final time. That’s repeating, at 1:25 p.m. this date, the 22nd District has retired the call sign 39-P (Pat)-8 for the final time. WPRW578, the correct time is 1:39 p.m."

 

            What just ran through your head? I’m guessing a lot. When an officer is killed in their line of duty their call sign or car number is retired permanently. That’s what was going on above. Its a tribute because Sgt. Patrick McDonald was killed doing something he loved helping the ones who needed him the most.

 

            Sgt. McDonald was an Officer I knew. He lived in my neighborhood. Every time I would walk by him or see him up Liberty Bell Field he would hold a conversation with me. “Hello, How are you?” or even just a simple, “hello!” He was there for everyone family, friends, or even complete strangers. He died at age 25 being so young, but dying doing something he loved.

 

Not only has this officer or sergeant put his life on the line but many other have done so as well. The only thing is most people do not appreciate what one individual Police officer does for his or her district. The rates of an officer getting shot are rising about 0.02% a year. Yes that might not seem like a lot but its said that officers should always go in knowing you will or might have a gun pointed to you and shot.

 

            Police officers need the attitude of, “were going in alive, and coming out the same way!” The 249 Police officers and Sergeants that were killed in Philly all had that attitude, but lost their job because some loser decides to shoot them for doing their job.

There are a selective few of people in the city or state where a Police officer dies, which do not care. Those select few of people are the type of people who trash talk cops and call them all kind of names such as “pigs”.

 

            What bothers me the most is when I hear teenagers going f*** the Police. Funny thing is that if they were in trouble I’m pretty sure the Police are the first people they will call. The select few of people that do not care about Police are the ones who are cold hearted enough to write on YouTube.com their honest truth on how they don’t like cops. I was reading comments on a tribute to Sgt. McDonald, and read the comment “I smell bacon, I smell pork, and run lil piggy I got a fork!”

 

            The things said about our heroes are wrong. The shootings, killings, and injuries need to be cut. People need to stop aiming weapons at police when they are called on a job to help the city. Officers need to put their foot down and by standers need to grow up. When you see an officer just bow your head in respect and realize what they do for you and your peers. When you hear about a fallen hero appreciate it. Just remember who was the savior for you at one point!

 

 

Tags: Nigro, History
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"Is Philly Next"

Posted by Khalil Clark in World History - Block on Wednesday, March 30, 2011 at 9:22 am

​“Is Philly Next?

 

            Pow! Pow! Pow! Gun shoots rang in the East Wing of the school building. For the past 50 years, school shootings have happened all over the US. The first shooting was reported in 1966 at the University of Texas. By the end of the shooting, there were 16 victims. What inside gets people so angry that they want to shoot their peers? People are bullied almost every second of the day, but to open fire on people at school is no excuse. Two wrongs don’t make a right.

            In some cases, these shootings are accidents. People might carry the firearms for protection because they live in really horrible neighborhoods. When that happens  some students carry the guns in the backpacks, resulting in the gun discharging when the student sits their bag down. If that happens clearly the student did not intend on anyone in school getting hurt. This happened at Gardena High School in Los Angeles, CA. This is the most recent school shooting in the US taking place on January 8, 2011. The firearm was in the 17-year-old childs book bag when it went off. This left 2 students wounded, and now the teen is being tried as an adult for assault with a deadly weapon. He has a history of being bullied so he carried the gun for that, but had no intentions on using it in school.

            The city of Los Angeles as a large community can’t watch every student in each school. On the other hand they can get their school security system together. A school official said that over 3000 students attend Gardena High School. The security there uses a handheld metal detector on each student as they enter the school building, so it is very easy for a student to slip pass security with a weapon. Assuming this a pretty large building, there will be multiple entrances to the building. Therefore there should be security with handheld metal detectors on each entrance so it is much easier to catch a student with a weapon.

            Is Philly next? With all the shootings we have outside of school for fights that happen in school, you never know. One day someone is going to walk into a Philadelphia high school and open fire. So far there has been 4 school shootings in the state of Pennsylvania. There’s only a matter of time before the fifth one happens, and no one knows where in Pennsylvania it will be. 

            Some TV shows base episodes on school violence, and some movies are based on school violence. They want to express the fact that you shouldn’t bully people, shoot up your school, and commit random acts of violence in school. They want to keep things like that out of the school community. Now that doesn’t mean it’s ok to go outside and do the same thing. It’s not ok, and it can lead you down the wrong road in life.

         The US is supposed to be the land of the free. It can be that when you have people shooting each other in school, or bullying one another, or even cursing each other out. Not everyone is going to get along, but when you meet someone new, get to know him or her first because they might being going through the same things as you. If you don’t take the initiative to do that, it shows how much of a coward you are. You’re not fooling anyone but yourself.

School shootings are 100% preventable because the person getting ready to blast the school can make the decision to stop and walk away. It’s just a matter of if that person cares enough to. If you are a victim or suspect of school violence then you need to talk to someone and get immediate counseling. No one ever wants to be the one getting picked on, but it happens and life goes on. It takes one person to be that change, so why not be them?



Thank You,
Khalil Clark
Tags: Clark, History, Op-Ed
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