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Reconstruction of a Memory - Matt Reed

Posted by Matthew Reed in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 9:56 pm

I stood at the window, poking my head out. Clueless as to the horrors about to take place. Observing the environment around my house. Looking up and down. I locked the door, slowly dragging my body up the stairs. I made my way into my bed and kissed my wife on the cheek. She slept so soundly, like a kitten. I laid my head down on the pillow.


I woke up and yawned. I could feel my heavy bladder. I walked down the dark hallway. What was that weird smell? Leaky pipe? Spilled hairspray? It had a strong metallic scent.  I walked into the bathroom and struggled to flip the light switch on, and took a piss. I approached the sink and scrubbed my hands. What was that smell? Was it me? I squeezed out more soap and scrubbed harder just to be sure, applying some deodorant as well. I hurried back to my bed and laid down. Why am I all wet? My pants were drenched with something, the smell had also gotten a lot stronger now. I got up from my bed and turned on my lamp.

I turned around and dropped to my knees. The tears instantly came running down my face. My wife. MY WIFE. I grabbed her hand, it was covered in blood. Everything was covered in blood. I stood up and looked for my phone. Where did I put my god damn phone? I ran down the steps and to the kitchen. Sweat was dripping down from every part of my body. I tried to pick up the landline, but I couldn’t grasp it. What was that noise? Sirens? I ran to the window. Red and blue violently bled into my kitchen, blinding me before I even opened the curtain. I put my eye up to the fabric and peeked through a small opening. Police surrounded my home. Who called the police? I took a deep breath and walked out the door. The men saw the blood on me, pointing their firearms at me in response. They approached me as I yelled. “ I didn’t do it”.

They wrapped the cold cuffs around my wrist as shock ran down my body. I was shoved in the back of the police car.

As I sit in this dark cell, I dread that night. Every second of it, but I can’t forget it. I’m alone and as clueless as I was when this all started.


Authors Notes:
I didn’t know where to start when we first got this assignment. I thought about what would be a very unforgettable memory. A traumatic one. Then, I thought about one of the close readings we did in class. I thought about the one from the Handmaid’s Tale, where Offred remembered Luke killing the class. Atwood added Offred’s mental state into the story. How scared and confused Offred was at the time, and I wanted that to be in my story. So, by doing this. I would have the main character ask lot’s of questions during the memory to show what was going on inside his head. I also wanted to add little hints as to what was about to happen, and at the end of the story leave it off so the reader is just as confused as the main character.
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Reconstruction of Memory // The Green Sun

Posted by Genero Accooe in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 10:28 am

We’re driving up a narrow street, our little Volkswagen Jetta slows down, the sounds of sand and rocks grinding between the wheels and the pavement. Though I already noticed the car coming to a halt, the place we stopped just felt off. It was a normal street, no stores between apartments, just houses.


“Guess where we are!?”, Mom glances at me quickly through the rear view while reversing the vehicle.


“No mom, I thought you were driving towards that old high school you used to go to?”, I say this not knowing it’s a lie. I know that house too well. It was the apartment that my mom and dad used to live in. I remember now why I feel so uneasy, it’s where I saw that thing.


I can remember the little side room that was on the other side hall from my parents, in that room was a crib on the center wall where I would sleep soundly but I was awake this time, that’s my room. It’s funny trying to stretch a scene that probably took 6 seconds into one that seems like 30 looking back at it fifteen years later, I close my eyes and open them to end up in that same crib.


I’m a baby now, turning my head must feel like moving on anesthetics and with the warm and protective green of the walls only makes my time awake more limited, the room has one little window that covered, the crack between the drape shows me it must be early morning. Even as a baby I could tell some things were up with the light this morning because I saw the sun. No, not a real sun but a small green one, the green sun. It’s glow was respectable, only illuminating within a couple of inches from its body. It’s weird, it has a face, almost sinister in its warm smile but oddly making me sleepier. Its revolves, just like the sun would and its face becomes hidden from me once more and as the face disappears completely, so does its body, sinking back into the ceiling of my room and I sink back into a slumber.  


I wake, still with the same amount of question about that object I saw all those years ago. I can’t help but wonder weather or not it was real, I used to think it was my guardian angel, my zodiac of sorts but now driving off I’m almost certain it was best to forget again.


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Reconstruction Memory // That Warm Smile

Posted by Benjamin Seing in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 10:05 am

My face felt blushed, overwhelmed. My visions were blurry, not because I was nauseous and afraid, it was because it was harder for me to see through the thin film of water. There was a warm hand on my back, rubbing against my spine. It was harder for me to breathe.

“It’s okay. This is almost over. Come here, I wanna hug you.”

“Thanks, I really need this,” I told Jessica, as I wrapped my arms around and squeezed her close.

As I stood, the ground became colder and malevolent that it sent chills down my spine. Then comes a figure walking towards me.

Bubbles, the code name I used for him. Light, full of joy, yet delicate. So fragile that it makes me sad to see him fade away. He walked to me with a smile, the same smile that I haven’t seen in so long.

We were together hanging out by a riverfront. It was cold that day, the middle of winter. It was also our first time doing something together. As we were both nervous walking with one another, he broke the atmosphere of tension with small talk. Small conversations turned into discussions. We talked all day about life in general, favorite foods, school drama, best music, and more. It felt endless. I didn’t feel as cold anymore. The sun was setting and created Golden Hour. The hour that sprayed the sky with bright yellow before it melts into deep red of the sun. “Hey, let’s get something warm to drink before we leave,” said Bubbles. There it is again, another smile. Warm and comfortable in my heart but I couldn’t keep eye contact with him. It was that friendship that held me up to this day.

“I’m fine. Thank you for checking in on me.” I said as I looked over Jessica’s shoulder remained hugging.

He shakes his head. “No worries”. It was the smile he gave that countered the daunting emotions I was going through. To be honest, the connection of friendship felt like a cure. A cure that helped my emotions become faded.

Artist Statement: “That Warm Smile” was inspired by a deep thought of something simple to someone but is such a huge deal to me personally. Atwood’s style of writing helped me build a short essay through other words and context that supported a stronger memory. The characters in both novels thought deeply into a memory but sorted out the details. Kesey’s style of writing also springed out what is memory and how we can be more descriptive with a memory that can be hard to remember.

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Reconstruction of Memory: Bea Gerber

Posted by Bea Gerber in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 9:43 am

​

There were pieces everywhere. Sharp, shattered, sparkling. The music masked the clatter, but only long enough to shield younger eyes. Some things take time to understand. The room filled in and flowed out, buckets, bags, and rags trickling with them. I am cold, but it was summer, and I had been warm only seconds before.


My happiness drained through my toes. The shouting was loud but I wasn’t listening, there were too many busy faces and furrowed brows to distract me.


He went straight through it, I heard, but I couldn’t see him. I searched for his tangled blonde mop but he had already disappeared. They whizzed around. Suds flew. Towels rolled. Bodies on autopilot. An organized frenzy. I couldn’t control the mess. It was going to last longer than the blood. My skin crawled.


He was rescued. Removed and absorbed. No longer at stake. We picked his pieces off the floor. Removed the evidence. We rescued him from second death but we were still in danger. I hated that he put me in danger.


My time there had been long and short. Summers don’t last forever but they happen every year. Each time it feels like we never left our bubble in the woods. Our own heated snow globe. But his hand broke the glass. He shook too hard. Disturbed the comfortably settled dust. We let him. So we fixed it. Patched his hand and the door. Closed the young eyes. Shielded him by shielding ourselves. Everyone is affected by weak links.


Plastic protected my bitten fingers from the glass but I was still bare. At mercy of another; powerless to change his mistakes. The bass still bumped, matching my heart beat. I had to walk away. Find comfort in less danger, away from the shards, away from the glares. I wanted to be warm again. But that was too much to ask.


The chaos chilled me no matter how many layers I put on. I wasn’t protected anymore. But that is life. The fog lifts on everything eventually. If you don’t prepare for the worst, you will be left cold, shivering. It took too long for me to see this. Took shards covering the floor where children played. They would never know. They didn’t have to know. We glued their snow globe back together with our stories. We kept them warm.



Author's note: I took a lot of inspiration from Kesey because of the format of this assignment. I liked that there didn't need to be much context, so I could be as vague and sharp as I wanted because I didn't have to tie it back to a full story. I tried to take some of his stylistic elements: short sentences, blunt phrasing, reactions in the moment mixed with reflective ones, sharp scene changes. I wanted to confuse the reader by throwing them into something hectic. I also tried to humanize things to make them relatable, and I tried to use contrast with warm and cold like Atwood does to show how situations change from ideal to scary in seconds. I tried to give away as little as possible so that you would feel the emotions and the scene itself wouldn't really matter. 
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The Room (Lucien Hearn - Memory Reconstruction)

Posted by Lucien Hearn in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 9:33 am

Night and day burn together as a radiant glow marks a new cycle. A cacophony of silence fills the room and I rise, recalibrating. The blanket is black. No, white. It is white because there is a pattern on it. Or a stain. Unless the pattern is made up of a series of similar stains. I think there is some color, so that makes sense. A blazing red and blue. No, how could I forget, there is no blanket. What was once a warm covering is now a forceful breeze coming from the window opened the previous night. Day. Little difference. I don’t remember this room because it’s not something I’ve seen before, it’s something I’ve never stopped seeing long enough for it to have an impression. The items of the room, all at once, force their way into my skull through any crevice they can manage. It hurts, then it just burns and burns until the pain recedes to a light simmer. I may not know the room, but it knows me and it knows how I understand it. There is no discussion of our arrangement but there is an agreement. The faces and critters on the books chatter gibberish and everything in the room begins to jitter; subtle - yet erratic. The clock stands still, serving as the only constant within the room. Time is not shifting from one hand to the other, both arms reach outwards, grasping at any semblance of dimension. Fear is what surrounds me but it is not what fills me. This is our agreement. I understand nothing of it but there is a rhythm, rhyme, and reason to every motion. I’m aware of it. On calm days, slow days, there’s a sort of gentle insanity that washes over everything. It’s all exactly the same - in a particularly strange way I can’t quite put into words. And it’s a nice insanity, almost like living in a picture book and being fully aware of the plot unfolding around you. Everything is exactly the same, and that’s what makes it different. I roll back along the mattress. The arms cross. The eyes shut. Day and night burn together with a radiant glow marking a new cycle. This piece was heavily inspired by Ken Kesey’s work in “One Flew Over the Cuckoo’s Nest”. Kesey implements foreign descriptors and strange imagery to develop a more surreal world for his book. During his time with electroshock therapy, he has a fascinating dreamlike experience. The most striking piece of this was the light rhyming and change of pace he incorporated throughout the section. The audio/visual accompaniment was chosen as this was not only the choice song for writing this piece but also because it is about reflecting on who you are and your past. The video takes place primarily in a single room, which is a nice coincidence.

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Memory Reconstruction - Sean DeSilva

Posted by Wedage DeSilva in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 9:30 am

​ Neglection
Present Day

I lie in the hospital bed, waiting for my my father to aid me… That car crash really took a toll on me, huh? I wonder if I will make it...Heh… My eyes are s-so…tired… I struggle to stay awake… I fall asleep. 

“Max! Wake up, you have to go to school!”

“Huh? Grandpa?” 

“Yes moron, it’s time for you to get ready for school.”

“Oh, right. I’ll be downstairs soon.”

“Hmph.”

Alright I guess it’s time for me to get ready… 

Once I’m ready,I run downstairs.

“Alright, I’m ready. See ya!”

“Stop. You need to eat your breakfast.” My uncle said in stern manner.

“Ugh, really? Even with those eggs?” 

“Yes, boy! I slave to wake you up and make you food every damn morning.”

“Okay…” I begin to slightly shake, but I keep it to myself so he won’t notice.
 
“Here! Take it.” Grandpa hands over the food furiously. 

“T-Thanks…” I shiver and eat a small bit of the food. 

“Alright, I’m full.” I hand over the plate to my grandpa. 

“You barely ate! What the hell. Boy...” Grandpa threatened. 

“Sorry… I wasn’t hungry. I have to go now.”

“Get the hell out of here.” Grandpa hollered.

I walked to school, as sweat began to drip down my forehead. Wondering what will happen when I get back home.

 The school day began and I couldn’t focus.

I went back home and grandpa was waiting for me.

“How… Was school?” Grandpa asked creepingly.

“Uh… It was good.”

“Don’t wanna talk to me?” Grandpa questioned.

I remained silent. I didn’t want to start any more arguments. I walked up to my room, steadily.

“Boy! Don’t think you can get away…” Grandpa threatened again.

I jotted up stairs in fear.

Why can’t I live a quiet, peaceful life? What does this man want from me? 

Tears fall down my face as I lie in my bed, my head leaning on my pillow praying that I can warp to another world. 

Creative Piece: https://www.youtube.com/watch?v=vAIMIfiCRZc

Authors Note: I decided to  use Atwood's writing style in my own short story. After analyzing her own work, I noticed that Atwood likes to convey emotions through descriptive language. I wanted to emulate this idea throughout my short story by showcasing how our protagonist felt when he was being scolded. His palms were sweaty, knees weak... He was scared to death and didn't want confrontation. Atwood is the type of writer that is easily able convey emotions through descriptive language and she does it well.
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Tyreek's Short Story

Posted by Tyreek Speedwell in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 9:13 am

The jet rises. It’s full of superheroes. One hero asks me “what you say your name was again? Iron Wolf, Captain Wolf, Lone Wolf, Werewolf?” Actually, my friends call me Al. “What’s that short for? Alfred? Ally?” The others chuckled. Actually, it’s short for Alpha. “Why do they call you that?” It was my nickname when I was a boxer. I was undefeated. 45-0 with 46 knockouts. 46? Yeah, I knocked out a ref once. Everyone laughed. “Okay, Al… how come this superhero crap doesn’t scare you?” Al reaches into his suit and pulls out a chain. The charm was heart shaped. He opened it and revealed a picture inside. Who’s that? That’s the love of my life… or at least was before the accident. “What happened to her?” No one knows. She’s my motivation. One day, I was in a championship match. My opponent was tough. No one, but her believed that I could win. At the time her and I were dating for about three months. I fought hard. Punches were flying back and forth with ruthless aggression. Then, he hit me with a hard right hook and knocked me to the canvas. I struggled to even get my head off the mat. All I could hear was her screaming at me to get back up. I never heard her sound so scared in my life. I got up after the referee counted to seven. Everyone couldn’t believe it. My opponent came back to try to finish the job. He threw another right hook, but this time I ducked. Then, I countered with a left hook. He fell to the mat. The ring started to fill with reporters. I couldn’t see with the flashes and bright lights in my face, but somehow I saw her approaching me. Her expression crowded with tears, but balanced out with a smile. I remember seeing her mouth moving. I didn’t know because I was too busy staring at her beautiful face telling myself she was the one. I kissed her luscious lips and hugged her tightly. Since then, I knew I could get through anything because she always had my back. This is the first time that I’m going into a battle alone. “You’re not alone Alpha. We’re your brothers. Ain’t that right fellas?” Everyone agreed. “We got your back no matter what.” Thanks guys. I really appreciate it. The jet lands. Alright team, roll out!

Author's Note:

Ken Kesey throughout his novel “One Flew Over the Cuckoo’s Nest”, uses a way to express his main character Chief Bromden. I used Kesey’s style of using important traumatizing flashbacks as something that shaped the protagonist or narrator into who they are in the present. Kesey uses Bromden’s past of being taught how not to be a Native American by someone he looked up to as way to explain why he is confused on his identity especially his culture. My main character’s source of motivation and determination is explained the same way through his flashback to a time where it first developed.
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091218-Celebrities-Michael-B-Jordan-Tessa-Thompson-Creed-II
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Ring of Fire

Posted by Julia Hood in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 8:28 am

Cold hospital air hit my nose as I sniffled, I stared at the hospital bed in front of me, holding my dad’s hand. I thought back to all of the time I had spent with him, sitting with my mom in the small apartment we lived in, awaiting my father’s arrival home from work. My mom walked around, humming to herself and cleaning spots off of the countertops. That’s when a key hit the lock, turned, and the door opened. “Daddy!” I yelled, hopping off of the couch to run into my uniformed father’s outstretched arms. He picked me up and squeezed me tight, that’s when I assume that my mom walked over and kissed him on the cheek, asking him how his day was. That’s what she normally did at least, but it slips my mind if she did it that day.


He then put me down, walking over to the cd player that sat in the corner of the living room. Ring of Fire, by Johnny Cash started playing, followed shortly by my father’s raspy voice singing along. He then picked me up and held me in his arms. We danced around the living room of the small apartment we lived in, while my mom sat and watched, smiling from ear to ear.


I can’t remember how long we danced for, if it was just that song or more to come. I can remember though, how the smell of cigarettes radiated off of his clothing when you got close enough. That’s when the beeping of the hospital monitor and my dad’s deep coughing pulled me out of my daydream. He half smiled, the most he was able to do. I held tears back as I smiled back, squeezing his hand.


I used many different stylistic choices in this piece. One that was inspired by Margaret Atwood was the fact that the narrator doesn’t remember everything. In both “The Handmaid’s Tale” and my story the narrator says that they don’t remember certain parts of the memory that they are retelling. Something else that I did that wasn’t inspired by Kesey or Atwood, but I felt was something that was important was telling small, but important details about what was happening at the moment. For example, telling that the narrator’s father was in the hospital. It makes the memory more special for the narrator, which makes it more special for the reader.
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"Neruda"

Posted by John Sugrue in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 8:14 am

In you, everything sank. This phrase pops into my head, from an English class long past, or at least that’s how long it feels. We spent weeks upon weeks investigating every couplet, scrutinizing every stanza. I hated it. I hated talking about “author’s intent”. Why did Pablo Neruda repeat this line? Why was it a motif? Who gives a shit? In you, everything sank. I think about you and I wish I didn’t. The kid who sat next to me would always fall asleep. I couldn’t blame him. It was an easy escape. Why did I ever bother staying awake? His light snore invades my thoughts, of Neruda, of the teacher’s droning. It’s there, gently, always reminding me that there’s another way out.


In you, everything sank.


Stocks pop into my head. Our economics teacher was always right after English. He taught us all about the stock market that year. We even invested a little bit ourselves. I heard but didn’t listen. In you, everything sank. Science was next. We would skip class together, you and I. We’d sit in the stairwell and talk. Or we wouldn’t. But we always understood.

In you, everything sank. It happened on a Sunday. The Lord’s day. Funny, because we had always hated religion. I like to imagine you did it to spite God. I didn’t find out until Tuesday: you weren’t in the stairwell. They called me to the office. Your mom broke the news.  In you, everything sank. On a whim today, I visit the bridge. The cold wind whips my hair, the seagulls below call, like sirens. And I, too, am sinking.


Author's Note:

For this memory, my idea was to create not a single memory, but a series of smaller memories. This was inspired, to some extent, by Ken Kesey’s style of writing memories - a series of shorter thoughts rather than one larger one. I chose to kind of take the reader through a school day through memories to some extent. It creates a little more cohesion, which I believe is necessary in a story like this. To transition, I used the phrase: “In you, everything sank”, pulled from Pablo Neruda's Song of Despair, which was a big inspiration for the story overall: dreary, depressing, defeatist. It was the anchor that my story was based around, and inevitably the note it ends on.


Companion - “The Song of Despair” by Pablo Neruda: https://www.poets.org/poetsorg/poem/song-despair


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Reconstruction of Memory // Christina Santana

Posted by Christina Santana in College English · Pahomov/Rhymer · B Band on Monday, December 17, 2018 at 1:29 am

Creative Writing Piece: Haunted

Reading our old text messages brought me back to where it all started. The flirtatious conversations, the plans for our first date, our first phone call. It reminded me of a happier time, one that bore no resemblance to the trauma I’d end up facing. Looking back on it now, I wish I would have known that the first phone call would be a contract I unknowingly signed. He wanted all of my time, every second of it. If I said I was busy or that I wouldn’t be able to call that day, he’d guilt trip me by threatening to kill himself. He knew that was my weakness. That I cared about him enough that I couldn’t risk it happening.  I felt helpless. I couldn’t help myself because if I left and he ended up killing himself, it would be my fault. The guilt would have been harder to handle than dealing with him ever was. As time went on, I thought I’d been getting better with coping. I thought going to therapy was aiding my healing process. It was supposed to show me that his abuse was not my fault.

I hadn’t noticed that my heart had been racing until now. My posture was stiff and my breath was coming in and out in nervous, short intervals. Just seeing his name brought back all the terrible memories. It reminded me that he still followed me everywhere. His harsh words were forever embedded into my being, and whether I liked it or not, he still had me under his control. I could never get away. He knew exactly what to say in order to make me stay. “You can’t leave me, Claire,” “I’ll kill myself if you do!” he’d say. His mental health history and the things he’d confided in me during that first phone call let me know that the threat was real. I was convinced that the fate of his life was in my hands. It was too late now. There was no turning back. I wish I would’ve known that there’d be one moment in time where the rest of my time would never be mine.

Author’s Note:
When writing my reconstruction of memory, I was inspired to emulate Margeret Atwood’s narration tactic of putting more emphasis on how the moment she’s writing about makes her character’s feel rather than spending too much time contextualizing the moment itself. I felt that putting an emphasis on the emotion would aid in the characterization of the narrator of my memory and would make it easier for the reader to see that her memory was a reflection of her experience. Similarly to Chief Bromden in One Flew Over The Cuckoo’s Nest by Ken Kesey, the narrator of my piece solely speaks about her experience with her antagonist in order to show the effect he’s had on her. It was an intentional choice on my part to make the narrator of my story focus on the actions of all of the other characters but themselves because I didn't want the reader's perspective to be skewed. As for the topic, I felt that writing about emotional abuse in the manner that I did would allow people to see how it’s an internal battle that many people can not see.

Screenshot 2018-12-17 at 1.28.37 AM
Screenshot 2018-12-17 at 1.28.37 AM
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